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Innehåll tillhandahållet av Mia Funk and Trans Creatives: Creative Process Original Series. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Mia Funk and Trans Creatives: Creative Process Original Series eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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ALAN POUL - Emmy & Golden Globe-winning Producer/Director - Tokyo Vice - Six Feet Under - Tales of the City - My So-Called Life

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Innehåll tillhandahållet av Mia Funk and Trans Creatives: Creative Process Original Series. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Mia Funk and Trans Creatives: Creative Process Original Series eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

What does learning another language and living in another culture do for your humanity and creative process?

Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.

“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”

https://www.imdb.com/name/nm0693561
https://www.imdb.com/title/tt2887954/

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

  continue reading

67 episoder

Artwork
iconDela
 
Manage episode 401096495 series 3288429
Innehåll tillhandahållet av Mia Funk and Trans Creatives: Creative Process Original Series. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Mia Funk and Trans Creatives: Creative Process Original Series eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

What does learning another language and living in another culture do for your humanity and creative process?

Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.

“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”

https://www.imdb.com/name/nm0693561
https://www.imdb.com/title/tt2887954/

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

  continue reading

67 episoder

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