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Kelly Reichardt Breaks Down Her Filmmaking Process Behind "Showing Up"

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Manage episode 359974889 series 1066970
Innehåll tillhandahållet av American Masters | PBS. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av American Masters | PBS eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In her eighth feature film, “Showing Up,” Kelly Reichardt takes pleasure in thinking about “life on the level outside of commerce.” Her films often explore working-class characters living life on the margins. Movies like “First Cow,” “Certain Women,” “Wendy and Lucy,” and “Old Joy” have established Reichardt as one of the most fiercely independent filmmakers working today.

In this episode, Reichardt discusses how inherently collaborative filmmaking can be, the pleasure she takes in documenting processes, the importance of art schools, and just how frequently André 3000 was playing the flute during production. She also shares some surprising thoughts about where her next film might take place (and it isn’t the Pacific Northwest).

“Showing Up” is in theaters this Friday, April 7th.

  continue reading

84 episoder

Artwork
iconDela
 
Manage episode 359974889 series 1066970
Innehåll tillhandahållet av American Masters | PBS. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av American Masters | PBS eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In her eighth feature film, “Showing Up,” Kelly Reichardt takes pleasure in thinking about “life on the level outside of commerce.” Her films often explore working-class characters living life on the margins. Movies like “First Cow,” “Certain Women,” “Wendy and Lucy,” and “Old Joy” have established Reichardt as one of the most fiercely independent filmmakers working today.

In this episode, Reichardt discusses how inherently collaborative filmmaking can be, the pleasure she takes in documenting processes, the importance of art schools, and just how frequently André 3000 was playing the flute during production. She also shares some surprising thoughts about where her next film might take place (and it isn’t the Pacific Northwest).

“Showing Up” is in theaters this Friday, April 7th.

  continue reading

84 episoder

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