Artwork

Innehåll tillhandahållet av Zentrum Paul Klee. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Zentrum Paul Klee eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Paul Klee - la belle jardinière, 1939

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Innehåll tillhandahållet av Zentrum Paul Klee. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Zentrum Paul Klee eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
The picture «la belle jardinière», also known as «a bourgeois ghost», is a staging of surreal amusement. The schematic figure made up of red and blue lines, ironically titled by Paul Klee, the beautiful gardener in crinoline, holds in her raised left hand a bunch of flowers.The bourgeois ghost appears as a magic shining phantom, which avoids every attempt at interpretation. The lines, which give the ghost its form, appear like fluorescent red and blue light tubes, whose coloured light shines on the brownish ground. The brown background is completely structured with lively drawings, amongst them stencil drawings.Klee achieved with the contrast of the full, intensely coloured lines of the «belle jardinière» and the brightly coloured background, a pronounced spatial effect with colour. The colours shine fluorescently over the irregularly white grounded jute material.Klee developed this figure on the basis of his pencil drawing «With flowers», and raised the flower woman with only a few strokes into an uncanny gardener. The simplicity in the use of sculptural means is also in the late works always an expression of the greatest creative concentration. The beautiful gardener appears as a ghost of the bourgeois. Perhaps the title contains a side reference to the art appreciation of the National Socialists, who idealised the artistic concept of the 19th century for ideological reasons and contrasted it with the modern art they defamed as degenerate.
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36 episoder

Artwork
iconDela
 

Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on August 03, 2022 00:26 (2+ y ago)

What now? This series will be checked again in the next day. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.

Manage episode 174693010 series 1200053
Innehåll tillhandahållet av Zentrum Paul Klee. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Zentrum Paul Klee eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
The picture «la belle jardinière», also known as «a bourgeois ghost», is a staging of surreal amusement. The schematic figure made up of red and blue lines, ironically titled by Paul Klee, the beautiful gardener in crinoline, holds in her raised left hand a bunch of flowers.The bourgeois ghost appears as a magic shining phantom, which avoids every attempt at interpretation. The lines, which give the ghost its form, appear like fluorescent red and blue light tubes, whose coloured light shines on the brownish ground. The brown background is completely structured with lively drawings, amongst them stencil drawings.Klee achieved with the contrast of the full, intensely coloured lines of the «belle jardinière» and the brightly coloured background, a pronounced spatial effect with colour. The colours shine fluorescently over the irregularly white grounded jute material.Klee developed this figure on the basis of his pencil drawing «With flowers», and raised the flower woman with only a few strokes into an uncanny gardener. The simplicity in the use of sculptural means is also in the late works always an expression of the greatest creative concentration. The beautiful gardener appears as a ghost of the bourgeois. Perhaps the title contains a side reference to the art appreciation of the National Socialists, who idealised the artistic concept of the 19th century for ideological reasons and contrasted it with the modern art they defamed as degenerate.
  continue reading

36 episoder

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