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Innehåll tillhandahållet av TypeEd and Rachel Elnar @ TypeEd. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av TypeEd and Rachel Elnar @ TypeEd eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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004. Steve Rachwal: Phototypesetting & Cold Type

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Manage episode 179113530 series 1431521
Innehåll tillhandahållet av TypeEd and Rachel Elnar @ TypeEd. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av TypeEd and Rachel Elnar @ TypeEd eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In this episode, I chat with designer Steve Rachwal who used to work as a typesetter at EllaType on Sunset Boulevard from 1985 to 1988 on the Berthold phototypesetting computer system.

EllaType was strictly a Berthold shop, which featured the best cut fonts in the world. Steve helped to typeset nearly the entire Motown music collection as they converted the LPs to CDs, including lots of liner notes and song lists. He also did a lot of typesetting work for Los Angeles-area design greats Sussman/Prejza and Burson-Marsteller.

He recounts the typesetting process pre-computer and walks us through what that was like. Towards the end of the interview, Briar Levit, director of the Graphic Means documentary joins us and asks her some questions herself.

I encountered Steve on my search for phototypesetting equipment for a cold type workshop. Alas, we never found working equipment and didn't run the workshop. But I was happy to find Steve.

In my conversation with Michael Stinson, we discuss the value of typography for his career and he discusses type skills needed during the annual report days.

View the show notes here: http://typographydojo.com/004

Tweet questions or comments to me @TypographyDojo

  continue reading

11 episoder

Artwork
iconDela
 
Manage episode 179113530 series 1431521
Innehåll tillhandahållet av TypeEd and Rachel Elnar @ TypeEd. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av TypeEd and Rachel Elnar @ TypeEd eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In this episode, I chat with designer Steve Rachwal who used to work as a typesetter at EllaType on Sunset Boulevard from 1985 to 1988 on the Berthold phototypesetting computer system.

EllaType was strictly a Berthold shop, which featured the best cut fonts in the world. Steve helped to typeset nearly the entire Motown music collection as they converted the LPs to CDs, including lots of liner notes and song lists. He also did a lot of typesetting work for Los Angeles-area design greats Sussman/Prejza and Burson-Marsteller.

He recounts the typesetting process pre-computer and walks us through what that was like. Towards the end of the interview, Briar Levit, director of the Graphic Means documentary joins us and asks her some questions herself.

I encountered Steve on my search for phototypesetting equipment for a cold type workshop. Alas, we never found working equipment and didn't run the workshop. But I was happy to find Steve.

In my conversation with Michael Stinson, we discuss the value of typography for his career and he discusses type skills needed during the annual report days.

View the show notes here: http://typographydojo.com/004

Tweet questions or comments to me @TypographyDojo

  continue reading

11 episoder

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