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Innehåll tillhandahållet av Todd Nief. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Todd Nief eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Andy Nelson (Bricktop Recording | Like Rats | Sourmouth)

1:11:26
 
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Manage episode 285942862 series 1785627
Innehåll tillhandahållet av Todd Nief. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Todd Nief eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Andy is one of the most talented musicians I know. Some people think of musical talent as a preternatural gift for shredding through neoclassical riffs on guitar or ripping through Chopin concertos as a pre-teen. In Andy’s case, this talent manifests itself as incredible taste and intuition for songwriting and audio production. When you hear a song written by Andy — whether it’s the, uh, powerviolence of Weekend Nachos or the alt rock throwback of Sourmouth — you know it’s an Andy song.

Fortunately, Andy gets to share his gift with others not just with his own music but through his work as a producer and audio engineer at Bricktop Recording.

I didn’t expect to make ill-founded quantum mechanics analogies with Andy in this conversation about songwriting, but that’s what happened.

Learn more from Andy here:

If you're enjoying the show, the best way to support it is by sharing with your friends. If you don't have any friends, why not a leave a review? It makes a difference in terms of other people finding the show.

You can also subscribe to receive my e-mail newsletter at www.toddnief.com. Most of my writing never makes it to the blog, so get on that list.

Show Notes:
  • [01:27] How Andy writes an album’s worth of songs every few months — across different genres
  • [11:46] The difference between “idea generation” and “idea editing” in songwriting
  • [23:19] How does Andy facilitate creativity in the studio while still keeping sessions on track?
  • [31:13] The difference between “producing” and “engineering”
  • [40:27] The value of a skilled editor in any creative endeavor. And, why it’s easier to edit other people’s work than your own.
  • [48:45] How to avoid getting too precious with your own creative ideas.
  • [54:29] Getting spacey with some theoretical physics analogies to songwriting
  • [01:07:54] How to learn more from Andy
Links and Resources Mentioned:
  continue reading

100 episoder

Artwork
iconDela
 
Manage episode 285942862 series 1785627
Innehåll tillhandahållet av Todd Nief. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Todd Nief eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Andy is one of the most talented musicians I know. Some people think of musical talent as a preternatural gift for shredding through neoclassical riffs on guitar or ripping through Chopin concertos as a pre-teen. In Andy’s case, this talent manifests itself as incredible taste and intuition for songwriting and audio production. When you hear a song written by Andy — whether it’s the, uh, powerviolence of Weekend Nachos or the alt rock throwback of Sourmouth — you know it’s an Andy song.

Fortunately, Andy gets to share his gift with others not just with his own music but through his work as a producer and audio engineer at Bricktop Recording.

I didn’t expect to make ill-founded quantum mechanics analogies with Andy in this conversation about songwriting, but that’s what happened.

Learn more from Andy here:

If you're enjoying the show, the best way to support it is by sharing with your friends. If you don't have any friends, why not a leave a review? It makes a difference in terms of other people finding the show.

You can also subscribe to receive my e-mail newsletter at www.toddnief.com. Most of my writing never makes it to the blog, so get on that list.

Show Notes:
  • [01:27] How Andy writes an album’s worth of songs every few months — across different genres
  • [11:46] The difference between “idea generation” and “idea editing” in songwriting
  • [23:19] How does Andy facilitate creativity in the studio while still keeping sessions on track?
  • [31:13] The difference between “producing” and “engineering”
  • [40:27] The value of a skilled editor in any creative endeavor. And, why it’s easier to edit other people’s work than your own.
  • [48:45] How to avoid getting too precious with your own creative ideas.
  • [54:29] Getting spacey with some theoretical physics analogies to songwriting
  • [01:07:54] How to learn more from Andy
Links and Resources Mentioned:
  continue reading

100 episoder

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