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84 - Erik Åberg: Asking Big Questions through Juggling - Part 1 of 2

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Manage episode 377367265 series 3363704
Innehåll tillhandahållet av Captain Frodo. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Captain Frodo eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In this episode we bring you the first part of a conversation with Erik Åberg who at the time of recoring is writing his Ph.D about juggling. He is an extraorinary juggler with a wonderful way of thinking and finding real deep questions about juggling, writing, researching, archiving, and answering them in illuminating ways.
We start out talking about how it is to write a ph.d about juggling.
He is seeking to grasp his process and to describe an actual practice which could then reliably be used to create work.
How ideas pop up AFTER you have worked hard on them, whilst doing something else.
How to break down what you're doing into components and then make them geometrical.
Ghost cubes. Moveable sculture which allows sculptures happen in time.
His work on Headrolls.
Making archiving and intellectual work into part of your artistic process.
His epiphany that the reality of anything we create be it a book a show or a sculpture resides in the spectators experience.
The importance of asking what this experience is.
How the experience of a sculpture and a performance relate and differ.
Who owns time in the experience of art?
Three dimensions of time and participation in the artistic experience.
Links:
Erik Åberg's Ghost Cubes
Erik and Jay Gilligan's juggling show Bevis
Erik and Jay's juggling show Blick
A more biographical interview with Erik for those who want to get to know him a little more.
Support the show

...
Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.
You'll find the store here: https://thewayoftheshowman.printdrop.com.au
If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.
If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.com
or find out more on the Way of the Showman website.
you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.
If you find it in you and you have the means to do so, you can suport the podcast financially at:
https://www.buymeacoffee.com/captainfrodo

  continue reading

119 episoder

Artwork
iconDela
 
Manage episode 377367265 series 3363704
Innehåll tillhandahållet av Captain Frodo. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Captain Frodo eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In this episode we bring you the first part of a conversation with Erik Åberg who at the time of recoring is writing his Ph.D about juggling. He is an extraorinary juggler with a wonderful way of thinking and finding real deep questions about juggling, writing, researching, archiving, and answering them in illuminating ways.
We start out talking about how it is to write a ph.d about juggling.
He is seeking to grasp his process and to describe an actual practice which could then reliably be used to create work.
How ideas pop up AFTER you have worked hard on them, whilst doing something else.
How to break down what you're doing into components and then make them geometrical.
Ghost cubes. Moveable sculture which allows sculptures happen in time.
His work on Headrolls.
Making archiving and intellectual work into part of your artistic process.
His epiphany that the reality of anything we create be it a book a show or a sculpture resides in the spectators experience.
The importance of asking what this experience is.
How the experience of a sculpture and a performance relate and differ.
Who owns time in the experience of art?
Three dimensions of time and participation in the artistic experience.
Links:
Erik Åberg's Ghost Cubes
Erik and Jay Gilligan's juggling show Bevis
Erik and Jay's juggling show Blick
A more biographical interview with Erik for those who want to get to know him a little more.
Support the show

...
Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.
You'll find the store here: https://thewayoftheshowman.printdrop.com.au
If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.
If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.com
or find out more on the Way of the Showman website.
you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.
If you find it in you and you have the means to do so, you can suport the podcast financially at:
https://www.buymeacoffee.com/captainfrodo

  continue reading

119 episoder

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