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Innehåll tillhandahållet av John Elliott. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av John Elliott eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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TechSurge: Deep Tech VC Podcast


1 Understanding the Elegant Math Behind Modern Machine Learning 1:14:43
1:14:43
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Artificial intelligence is evolving at an unprecedented pace—what does that mean for the future of technology, venture capital, business, and even our understanding of ourselves? Award-winning journalist and writer Anil Ananthaswamy joins us for our latest episode to discuss his latest book Why Machines Learn: The Elegant Math Behind Modern AI . Anil helps us explore the journey and many breakthroughs that have propelled machine learning from simple perceptrons to the sophisticated algorithms shaping today’s AI revolution, powering GPT and other models. The discussion aims to demystify some of the underlying mathematical concepts that power modern machine learning, to help everyone grasp this technology impacting our lives–even if your last math class was in high school. Anil walks us through the power of scaling laws, the shift from training to inference optimization, and the debate among AI’s pioneers about the road to AGI—should we be concerned, or are we still missing key pieces of the puzzle? The conversation also delves into AI’s philosophical implications—could understanding how machines learn help us better understand ourselves? And what challenges remain before AI systems can truly operate with agency? If you enjoy this episode, please subscribe and leave us a review on your favorite podcast platform. Sign up for our newsletter at techsurgepodcast.com for exclusive insights and updates on upcoming TechSurge Live Summits. Links: Read Why Machines Learn, Anil’s latest book on the math behind AI https://www.amazon.com/Why-Machines-Learn-Elegant-Behind/dp/0593185749 Learn more about Anil Ananthaswamy’s work and writing https://anilananthaswamy.com/ Watch Anil Ananthaswamy’s TED Talk on AI and intelligence https://www.ted.com/speakers/anil_ananthaswamy Discover the MIT Knight Science Journalism Fellowship that shaped Anil’s AI research https://ksj.mit.edu/ Understand the Perceptron, the foundation of neural networks https://en.wikipedia.org/wiki/Perceptron Read about the Perceptron Convergence Theorem and its significance https://www.nature.com/articles/323533a0…
John Elliott's Insights In Jazz Podcast
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Manage series 120016
Innehåll tillhandahållet av John Elliott. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av John Elliott eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Discussions about the book Insights In Jazz that contains a method to memorise hundreds of jazz chord progressions. www.dropback.co.uk
…
continue reading
30 episoder
Markera alla som (o)spelade ...
Manage series 120016
Innehåll tillhandahållet av John Elliott. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av John Elliott eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Discussions about the book Insights In Jazz that contains a method to memorise hundreds of jazz chord progressions. www.dropback.co.uk
…
continue reading
30 episoder
Alle Folgen
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John Elliott's Insights In Jazz Podcast

The Irving Berlin standard, Remember, from 1925 is analysed according to the method. Bricks used include: Chromatic Dropback; Cadence; Launcher; To IV n Mack (and Yak). Joins used include: Dogleg; Bootstrap; Sidewinder; (Happenstance).
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John Elliott's Insights In Jazz Podcast

The standard is analysed according to the method. Bricks used include TTFA dropback; Double Pullback; SPOT; 7-chord Pullback; To IV n Mack; To IV n Yak; On-Off-On; Cadence; Slow Launcher; Bootstrap Launcher. Once again, joins are hardly needed. The Bootstrap join is used.
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John Elliott's Insights In Jazz Podcast

1 28. If I Should Lose You & You'd Be So Nice To Come Home To 15:25
15:25
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These two standards are analysed according to the method and found to be almost identical. These songs are used to show how standards often visit common keys of I, IV and iv (relative minor) and the joins that are used to get between them (Bauble, Sidewinder, Half Nelson). The Slow Launcher is examined and its location at the end of B sections in ABAC songs considered. Confirming key using the Homer join is discussed and the Spring Cadence is introduced.…
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John Elliott's Insights In Jazz Podcast

The standard Misty is analysed according to the method. Comparison is made with "I Want to Talk About You". Bricks used include: To IV n Yak; POT; SPOT; On-Off-On; Yardbird Cadence; Regular Cadence; CESH; Two-goes; Starlight Cadence. Just two joins are used: Bootstrap and Downwinder.
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John Elliott's Insights In Jazz Podcast

1 26. No More Blues (Chega De Saudade) 16:53
16:53
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This bossa nova standard is analysed according to the method. The song is not in the book and so a chart is available on the Google Group web site. The song is unusually long, with effectively two ABAC song forms joined together, one minor and the other major.
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John Elliott's Insights In Jazz Podcast

The Pennies Ending metabrick is introduced. This is family of 8-measure bricks which is extremely common in jazz standards. Most often it is used to as the last 8 measures. But sometimes it is used as the first 8 measures of a song. Many examples are given of the Pennies Ending occurring in jazz standards. Meta concepts covered include: IV n Back; Dropping back; Cadence home. Joins are not discussed in this podcast because, in general, the bricks within the metabrick follow round the cycle or by dropping down a half step (sideslip).…
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John Elliott's Insights In Jazz Podcast

The standard My Foolish Heart from 1949 is analysed according to the method. The form is ABAC, but the chords are more complex than songs looked at to date. The metaview is discussed before the actual bricks of chords are analysed. Bricks used include: ITCHY turnaround; Bootstrap launchers; Launcher; Cadence; Body and Soul approach; Autumnal Cadence approach; Sixpenny Ending; TINGLe dropback; Somewhere cadence. Joins used include: Woody; Bootstrap; Bauble; Stella (!); Dogleg.…
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John Elliott's Insights In Jazz Podcast

The chord changes to I Got Rhythm are the most common changes used in jazz after the 12-bar blues. This podcast takes a Metaview of "Rhythm Changes" so that the player can be robust to substitutions that might be commonly used. Bricks used include: POT (and variants such as SPOT, Rhythm Turnaround, Whoopee Turnaround); To IV n Back family; Rhythm Bridge. Joins used include: Sidewinder; (Pullback); (Yardbird); (Bird SPOT).…
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John Elliott's Insights In Jazz Podcast

1 22. Whisper Not and the Backsliding Autumnal Cadence 12:27
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In this episode, Whisper Not is analysed according to the method. This song is in AABA form and is considered to have a home key of Dm since that is the only key in the song that is established and confirmed. Reference is made to Green Dolphin Street and How Deep is the Ocean that have some similar harmonic moves. Bricks used include: On; Cadence; POT; SPOT; launcher; Nowhere launcher. The only join used is the Backslider.…
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John Elliott's Insights In Jazz Podcast

1 21. Broadway and the mystery of Bartok substitution 16:48
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The standard from 1940 is analysed and shown to have the same A section "metabrick" as "Take the A Train" and "Bernie's Tune". Using diminished-7 chords, Bartok substitution is introduced. Bricks and concepts covered include: Cadence; Hover; On-Off; POT; Side-slipping; Multi-subbed POT; Nowhere Launcher; Launcher. Joins include: Bootstrap; New Horizon; (Nowhere).…
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John Elliott's Insights In Jazz Podcast

The standard from the 1950s, Bernie's Tune, is analysed according to the method. Reference is made to the metabrick, Donna Lee (or 'A' Train) Opening, which is very similar to the A sections in this song. Bricks used include: On and Off; Cadence; Launcher; and POT. Joins used include: Homer; and Half Nelson.…
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John Elliott's Insights In Jazz Podcast

The standard What's New (1939) is analysed according to the method. This AABA-form song is remarkable because all of it's sections are almost the same. The bridge is the same as the other sections except in another key, so the analysis shows it as being the same. Once one of A the sections is learned, only the joins into and out of the bridge are needed to play the song in any key. Bricks used include: On; Cadence; Launcher, POT. Joins used include: Half Nelson; Bauble; Bootstrap and Backslider.…
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John Elliott's Insights In Jazz Podcast

The standard Beautiful Love from 1931 is analysed. This is a good example of a standard predominantly in the minor key that visits the relative major. Bricks used include: Cadence; Launchers; Overrun; POT. Joins used include: Bootstrap; Sidewinder. Other concepts covered include: Bootstrap launcher; Nowhere launcher; Nowhere turnaround; absolute jump joins such as (Nowhere).…
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John Elliott's Insights In Jazz Podcast

1 17. Interview with Phil Clark, sax player. UK 14:10
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John talks with saxophone player, Phil Clark, about his use of the method in order to learn to play without music. Phil explains his approach to learning tunes using "Brick walls" built using MS Excel. There is some microphone noise in some of this podcast that we could not eliminate, but we decided to publish anyway since we think the conversation can all be understood.…
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John Elliott's Insights In Jazz Podcast

The To IV n Back family of bricks is revisited in this second of two podcasts. This time the focus is on returning to I via #IVo. Examples of songs in which these occur are given. "Marking time" using To IV n Back is also illustrated. A related brick, II n Back is introduced and shown to be almost identical and illustrated where present in "American Songbook" jazz standards.…
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