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Innehåll tillhandahållet av Paul Smith and Arlo J. Wiley. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Paul Smith and Arlo J. Wiley eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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515 - That Was Then: The Incredibles (feat. Eric Sipple)

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Manage episode 427183811 series 1136533
Innehåll tillhandahållet av Paul Smith and Arlo J. Wiley. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Paul Smith and Arlo J. Wiley eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In an age where Deadpool & Wolverine is set to smash box office records, it can be hard to remember what things were like in the first wave of superhero blockbusters. Costumes were primarily made of black leather, nu-metal montages were all the rage, and yet–there was a willingness and desire to be experimental that is often lacking today. That's the scene The Incredibles burst onto in 2004, with its dynamic color palette, its retro-futuristic atmosphere, and (shockingly) its sharply defined point of view. For the next nostalgic installment of That Was Then, Paul and Arlo are joined by The Deli Counter of Justice co-founder Eric Sipple to discuss Brad Bird's landmark entry into the superhero canon. The gang discusses how Bird and his team utilized relatively primitive CGI to striking artistic effect, how comic books were not the film's main influence, and how Hollywood learned all the wrong lessons from The Incredibles’ success.

NEXT: let's head to 1994 for more That Was Then, as we gaze upon the horrors unleashed by the Oliver Stone/Quentin Tarantino collab Natural Born Killers.

LINKS

MUSIC

  • “The Glory Days” by Michael Giacchino, The Incredibles (Music from the Motion Picture) (2004)

  • “The Incredits” by Michael Giacchino, The Incredibles (Music from the Motion Picture) (2004)

GOBBLEDYCARES

  continue reading

513 episoder

Artwork
iconDela
 
Manage episode 427183811 series 1136533
Innehåll tillhandahållet av Paul Smith and Arlo J. Wiley. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Paul Smith and Arlo J. Wiley eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In an age where Deadpool & Wolverine is set to smash box office records, it can be hard to remember what things were like in the first wave of superhero blockbusters. Costumes were primarily made of black leather, nu-metal montages were all the rage, and yet–there was a willingness and desire to be experimental that is often lacking today. That's the scene The Incredibles burst onto in 2004, with its dynamic color palette, its retro-futuristic atmosphere, and (shockingly) its sharply defined point of view. For the next nostalgic installment of That Was Then, Paul and Arlo are joined by The Deli Counter of Justice co-founder Eric Sipple to discuss Brad Bird's landmark entry into the superhero canon. The gang discusses how Bird and his team utilized relatively primitive CGI to striking artistic effect, how comic books were not the film's main influence, and how Hollywood learned all the wrong lessons from The Incredibles’ success.

NEXT: let's head to 1994 for more That Was Then, as we gaze upon the horrors unleashed by the Oliver Stone/Quentin Tarantino collab Natural Born Killers.

LINKS

MUSIC

  • “The Glory Days” by Michael Giacchino, The Incredibles (Music from the Motion Picture) (2004)

  • “The Incredits” by Michael Giacchino, The Incredibles (Music from the Motion Picture) (2004)

GOBBLEDYCARES

  continue reading

513 episoder

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