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Innehåll tillhandahållet av Benjamen Walker & Radiotopia and Benjamen Walker. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Benjamen Walker & Radiotopia and Benjamen Walker eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Not All Propaganda is Art 7: Manufacturing Dissent

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Manage episode 407718689 series 31015
Innehåll tillhandahållet av Benjamen Walker & Radiotopia and Benjamen Walker. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Benjamen Walker & Radiotopia and Benjamen Walker eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In 1959, Anti-Americanism surged in the UK. England seethed over America’s treatment of its Prime Minister who was smacked down for daring to use diplomacy to resolve the crisis over divided Germany. In 1959 England also fretted over a new American export: the Beatnik. The British foreign office forcefully responded with a report advocating for “ an increased effort in the field of press, radio and television in the U.K. to say the right kind of things about the Americans.” This is the very moment Kenneth Tynan was commissioned to make a documentary for British Television about American Non-conformism and Dissent. We take a close look at one of the Cold War's most bizarre and inspired artifacts of Anti Anti-American propaganda.

Shownotes: Laura Bradley writes on Brecht and German theater. Kenneth Tynan’s documentary aired on January 27th, 1960 and then was supposedly erased (it wasn’t).

Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

  continue reading

216 episoder

Artwork
iconDela
 
Manage episode 407718689 series 31015
Innehåll tillhandahållet av Benjamen Walker & Radiotopia and Benjamen Walker. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Benjamen Walker & Radiotopia and Benjamen Walker eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In 1959, Anti-Americanism surged in the UK. England seethed over America’s treatment of its Prime Minister who was smacked down for daring to use diplomacy to resolve the crisis over divided Germany. In 1959 England also fretted over a new American export: the Beatnik. The British foreign office forcefully responded with a report advocating for “ an increased effort in the field of press, radio and television in the U.K. to say the right kind of things about the Americans.” This is the very moment Kenneth Tynan was commissioned to make a documentary for British Television about American Non-conformism and Dissent. We take a close look at one of the Cold War's most bizarre and inspired artifacts of Anti Anti-American propaganda.

Shownotes: Laura Bradley writes on Brecht and German theater. Kenneth Tynan’s documentary aired on January 27th, 1960 and then was supposedly erased (it wasn’t).

Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

  continue reading

216 episoder

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