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Innehåll tillhandahållet av longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Barry Dean: There’s More to Life than a Number One

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Manage episode 408110963 series 3521512
Innehåll tillhandahållet av longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

I speak with hit songwriter and producer Barry Dean, who, with four #1 hits, many singles, and countless cuts, somehow manages to act like an earnest kid grateful for the chance to take his shot. His songs have been recorded by Reba McEntire, Tim McGraw, Maren Morris, Alison Krauss, Jon Pardi, Ingrid Michaelson, Brothers Osbourne, and many, many others. In one of the podcast’s most illuminating guests to date, Barry discusses his unusual path to success — he didn’t move to Nashville until he was 38 — and how his approach to collaboration has evolved through the years. He also digs into a couple of the details for some of his best known co-writes, like “Daydrinking” (Little Big Town) and “God and Country Music” (George Straight), and is quick to sing the praises of his frequent collaborators — Lori McKenna, Luke Laird, and Natalie Hemby, among others. This intro doesn’t do justice to the caliber of the conversation we had. Barry is full of insight, wisdom and humility. You just gotta listen.


Get full access to The Morse Code at korby.substack.com/subscribe
  continue reading

52 episoder

Artwork
iconDela
 
Manage episode 408110963 series 3521512
Innehåll tillhandahållet av longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av longform conversations with supertalents in music, film and writing. and Longform conversations with supertalents in music eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

I speak with hit songwriter and producer Barry Dean, who, with four #1 hits, many singles, and countless cuts, somehow manages to act like an earnest kid grateful for the chance to take his shot. His songs have been recorded by Reba McEntire, Tim McGraw, Maren Morris, Alison Krauss, Jon Pardi, Ingrid Michaelson, Brothers Osbourne, and many, many others. In one of the podcast’s most illuminating guests to date, Barry discusses his unusual path to success — he didn’t move to Nashville until he was 38 — and how his approach to collaboration has evolved through the years. He also digs into a couple of the details for some of his best known co-writes, like “Daydrinking” (Little Big Town) and “God and Country Music” (George Straight), and is quick to sing the praises of his frequent collaborators — Lori McKenna, Luke Laird, and Natalie Hemby, among others. This intro doesn’t do justice to the caliber of the conversation we had. Barry is full of insight, wisdom and humility. You just gotta listen.


Get full access to The Morse Code at korby.substack.com/subscribe
  continue reading

52 episoder

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