

Though it had been fifteen years since their debut, Genesis released their eponymous album in the fall of 1983. This was a fitting move, as the album signaled both a change in the group's songwriting process, and also a move toward a new, more accessible pop/rock sound with traces of their progressive roots interspersed periodically. Across the course of nine well-crafted tracks, Phil Collins and company tackle a garden-variety of strange topics on the album, including a haunted seaside cottage, illegal immigration, and a visit to a Cuban brothel. Genesis guitarist and bassist, Mike Rutherford, considers this 1983 effort to be one of the band's finest, and so do Chris and Jon. Take a listen as the co-hosts fondly look back on this catchy, schizophrenic, and at times demented album.
37 episoder
Though it had been fifteen years since their debut, Genesis released their eponymous album in the fall of 1983. This was a fitting move, as the album signaled both a change in the group's songwriting process, and also a move toward a new, more accessible pop/rock sound with traces of their progressive roots interspersed periodically. Across the course of nine well-crafted tracks, Phil Collins and company tackle a garden-variety of strange topics on the album, including a haunted seaside cottage, illegal immigration, and a visit to a Cuban brothel. Genesis guitarist and bassist, Mike Rutherford, considers this 1983 effort to be one of the band's finest, and so do Chris and Jon. Take a listen as the co-hosts fondly look back on this catchy, schizophrenic, and at times demented album.
37 episoder
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