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487 - Marlon Patton: The Intersection of Physicality and Creativity, Playing with Liv Warfield, Making the Move From ATL to NYC

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Innehåll tillhandahållet av Working Drummer. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Working Drummer eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Born and raised in Georgia, Marlon Patton is a New York-based drummer and music producer/engineer. Hailing from a long line of drummers dating back to his grandfather, Phil Patton who played in the Chicago big band circuit, Marlon keeps his schedule interesting and packed full of all types of music. He is the first call for so many musicians not just because of his impeccable time, but because of the incredible musicality of what he delivers. He plays within a huge dynamic range, making him the perfect match for quiet piano jazz performances to hard- hitting rock gigs. He can play with everything from precision to reckless abandon and make it truly his own. He currently is a member of Kenosha Kid, Weisshund, Nelson Patton, Lonnie Holley, The Trey Wright Trio and The Mace Hibbard Quintet.

He has toured, performed and/or recorded with Liv Warfield, The Atlanta Symphony Orchestra, Jim White, Larkin Poe, Lonnie Holley, Jeff Coffin, Shahzad Ismaily, Col. Bruce Hampton, John Patitucci, Randy Brecker, Rufus Reid, Marcus Printup, and Wycliffe Gordon. He has recorded for labels such as Sony, Universal, Jagjaguwar, RH Music, Yep Roc, Ropeadope plus many more independent releases. His drumming has been in soundtracks on Adult Swim, ABC, and HBO.

In the studio, Marlon has carved a name for himself recording, mixing, and producing. Some recent projects he's worked on are Lonnie Holley’s MITH, Liv Warfield’s Live at Cafe Wha, Jim White's Where It Hits You, Leah Calvert’s Satellite, Daniel Clay's 10,000 Things, Kenosha Kid's Fahrenheit 451, ILL's Gotten Gains, and Blair Dunlop/Larkin Poe's Killing Time.

In this episode, Marlon talks about:

  • Being willing to abandon "correct" technique in favor of a sound, feel, or idea
  • How New York has changed his musical priorities and identity
  • What true collaboration really means
  • Improvising vs. "composing in the moment"
  • Moving away from Atlanta with the goal of expanding, personally and musically
  • Tapping into old relationships in a new place
  • Sharing studio space with Jordan Rose and mixing Liv Warfield's latest record

Here's our Patreon

Here's our Youtube

Here's our Homepage

  continue reading

490 episoder

Artwork
iconDela
 
Manage episode 440656403 series 1212313
Innehåll tillhandahållet av Working Drummer. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Working Drummer eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Born and raised in Georgia, Marlon Patton is a New York-based drummer and music producer/engineer. Hailing from a long line of drummers dating back to his grandfather, Phil Patton who played in the Chicago big band circuit, Marlon keeps his schedule interesting and packed full of all types of music. He is the first call for so many musicians not just because of his impeccable time, but because of the incredible musicality of what he delivers. He plays within a huge dynamic range, making him the perfect match for quiet piano jazz performances to hard- hitting rock gigs. He can play with everything from precision to reckless abandon and make it truly his own. He currently is a member of Kenosha Kid, Weisshund, Nelson Patton, Lonnie Holley, The Trey Wright Trio and The Mace Hibbard Quintet.

He has toured, performed and/or recorded with Liv Warfield, The Atlanta Symphony Orchestra, Jim White, Larkin Poe, Lonnie Holley, Jeff Coffin, Shahzad Ismaily, Col. Bruce Hampton, John Patitucci, Randy Brecker, Rufus Reid, Marcus Printup, and Wycliffe Gordon. He has recorded for labels such as Sony, Universal, Jagjaguwar, RH Music, Yep Roc, Ropeadope plus many more independent releases. His drumming has been in soundtracks on Adult Swim, ABC, and HBO.

In the studio, Marlon has carved a name for himself recording, mixing, and producing. Some recent projects he's worked on are Lonnie Holley’s MITH, Liv Warfield’s Live at Cafe Wha, Jim White's Where It Hits You, Leah Calvert’s Satellite, Daniel Clay's 10,000 Things, Kenosha Kid's Fahrenheit 451, ILL's Gotten Gains, and Blair Dunlop/Larkin Poe's Killing Time.

In this episode, Marlon talks about:

  • Being willing to abandon "correct" technique in favor of a sound, feel, or idea
  • How New York has changed his musical priorities and identity
  • What true collaboration really means
  • Improvising vs. "composing in the moment"
  • Moving away from Atlanta with the goal of expanding, personally and musically
  • Tapping into old relationships in a new place
  • Sharing studio space with Jordan Rose and mixing Liv Warfield's latest record

Here's our Patreon

Here's our Youtube

Here's our Homepage

  continue reading

490 episoder

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