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Episode 7 - David Briggs on his role at the Cathedral of St John the Divine, New York, improvising and his transcriptions - Daniel Moult talks about the new organs for the Royal Birmingham Conservatoire
Manage episode 415542853 series 3551231
In this episode, Daniel Moult, Head of Organ at the Royal Birmingham Conservatoire, demonstrates how a series of new, historically inspired organs that he's commissioned, will transform the musicianship of his students, not just from an authentic approach to early music but across the board in organ playing technique. He also talks about the career and musical aspirations of young organ students today.
https://www.bcu.ac.uk/conservatoire/music/departments/keyboard/organ
One of the world's leading organists and improvisors, David Briggs, talks about his role as Artist in Residence at the Cathedral of St John the Divine in New York and the 'American sound'. He gives an insight into the art of improvising and how his own style has been informed by transcribing the improvisations of legendary organist, Pierre Cochereau, from hundreds of archive recordings. David also reflects on his work in transcribing large-scale orchestral works for the organ and the resulting ethical dilemmas he has to consider.
Subscribe wherever you get your podcasts, and do get in touch at: theorganpodcast@rco.org.uk
https://www.rco.org.uk/
16 episoder
Manage episode 415542853 series 3551231
In this episode, Daniel Moult, Head of Organ at the Royal Birmingham Conservatoire, demonstrates how a series of new, historically inspired organs that he's commissioned, will transform the musicianship of his students, not just from an authentic approach to early music but across the board in organ playing technique. He also talks about the career and musical aspirations of young organ students today.
https://www.bcu.ac.uk/conservatoire/music/departments/keyboard/organ
One of the world's leading organists and improvisors, David Briggs, talks about his role as Artist in Residence at the Cathedral of St John the Divine in New York and the 'American sound'. He gives an insight into the art of improvising and how his own style has been informed by transcribing the improvisations of legendary organist, Pierre Cochereau, from hundreds of archive recordings. David also reflects on his work in transcribing large-scale orchestral works for the organ and the resulting ethical dilemmas he has to consider.
Subscribe wherever you get your podcasts, and do get in touch at: theorganpodcast@rco.org.uk
https://www.rco.org.uk/
16 episoder
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