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Nathalie Joachim on the Connection Between Brahms and Haiti

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Manage episode 405777122 series 2541202
Innehåll tillhandahållet av WQXR & WNYC Studios, WQXR, and WNYC Studios. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av WQXR & WNYC Studios, WQXR, and WNYC Studios eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Nathalie Joachim is a Grammy-nominated flutist, vocalist and composer. She is the co-founder of the acclaimed flute-meets-electronica duo Flutronix, as well as the composer of the evening-length work “Fanm d’Ayiti,” which explores her heritage and, more broadly, women’s voices in Haiti. Her recently-released album “Ki moun ou ye” (“Which person are you?”) continues the musically-grounded investigation into identity.

In this episode, Joachim recalls a formative experience with the music of Brahms, connecting her attraction to his music with the rhythmically inventive music of her family’s native Haiti.

The performance of Brahms Symphony No. 3 used in this episode features the New York Philharmonic under the baton of Alan Gilbert. Recording provided courtesy of the New York Philharmonic.

  continue reading

48 episoder

Artwork
iconDela
 
Manage episode 405777122 series 2541202
Innehåll tillhandahållet av WQXR & WNYC Studios, WQXR, and WNYC Studios. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av WQXR & WNYC Studios, WQXR, and WNYC Studios eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Nathalie Joachim is a Grammy-nominated flutist, vocalist and composer. She is the co-founder of the acclaimed flute-meets-electronica duo Flutronix, as well as the composer of the evening-length work “Fanm d’Ayiti,” which explores her heritage and, more broadly, women’s voices in Haiti. Her recently-released album “Ki moun ou ye” (“Which person are you?”) continues the musically-grounded investigation into identity.

In this episode, Joachim recalls a formative experience with the music of Brahms, connecting her attraction to his music with the rhythmically inventive music of her family’s native Haiti.

The performance of Brahms Symphony No. 3 used in this episode features the New York Philharmonic under the baton of Alan Gilbert. Recording provided courtesy of the New York Philharmonic.

  continue reading

48 episoder

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