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Innehåll tillhandahållet av No Film School. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av No Film School eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Break Up With Your Temp Score & Other Placeholders; Plus, Blackmagic Won NAB

48:59
 
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Manage episode 421079837 series 118896
Innehåll tillhandahållet av No Film School. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av No Film School eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

If you’re a director who has become too attached to the temp score, you’re essentially falling in love with something you can’t have. While it may feel impossible to let go, it is possible. Let’s look at some ways you can break up with your temp score and move on.

In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss:

  • Why you shouldn’t use temp scores from other movies
  • Collaborating with composers early on
  • The benefit of switching up scores in the edit
  • How directors fall in love with what they see in the edit
  • How the score is almost like a character within a scene
  • The dangers of placeholders
  • Getting attached to character names
  • NAB - why you should go
  • Blackmagic cameras - affordable, efficient, and high-quality
  • The Blackmagic camera phone app on Apple and Android
  • Shooting with cinema lenses versus still photo lenses

Memorable Quotes

  • “I’m getting feelings from that movie and it’s impacting my ability to engage with your movie.” [4:30]
  • “If a director spends six months editing a movie, they get kind of attached to how it looks and how it sounds.” [15:12]
  • “In post-production, familiarity can breed affection.” [16:57]
  • “Placeholders are a thing to be conscious of and used strategically.” [29:41]

Mentioned

Every Frame a Painting - The Marvel Symphonic Universe

The Art of the Score Podcast

Here’s Everything You May Have Missed at NAB 2024

Find No Film School everywhere:

On the Web

https://nofilmschool.com/

Facebook

https://www.facebook.com/nofilmschool

Twitter

https://twitter.com/nofilmschool

YouTube

https://www.youtube.com/user/nofilmschool

Instagram

https://www.instagram.com/nofilmschool

Send us an email with questions or feedback: podcast@nofilmschool.com!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

802 episoder

Artwork
iconDela
 
Manage episode 421079837 series 118896
Innehåll tillhandahållet av No Film School. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av No Film School eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

If you’re a director who has become too attached to the temp score, you’re essentially falling in love with something you can’t have. While it may feel impossible to let go, it is possible. Let’s look at some ways you can break up with your temp score and move on.

In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss:

  • Why you shouldn’t use temp scores from other movies
  • Collaborating with composers early on
  • The benefit of switching up scores in the edit
  • How directors fall in love with what they see in the edit
  • How the score is almost like a character within a scene
  • The dangers of placeholders
  • Getting attached to character names
  • NAB - why you should go
  • Blackmagic cameras - affordable, efficient, and high-quality
  • The Blackmagic camera phone app on Apple and Android
  • Shooting with cinema lenses versus still photo lenses

Memorable Quotes

  • “I’m getting feelings from that movie and it’s impacting my ability to engage with your movie.” [4:30]
  • “If a director spends six months editing a movie, they get kind of attached to how it looks and how it sounds.” [15:12]
  • “In post-production, familiarity can breed affection.” [16:57]
  • “Placeholders are a thing to be conscious of and used strategically.” [29:41]

Mentioned

Every Frame a Painting - The Marvel Symphonic Universe

The Art of the Score Podcast

Here’s Everything You May Have Missed at NAB 2024

Find No Film School everywhere:

On the Web

https://nofilmschool.com/

Facebook

https://www.facebook.com/nofilmschool

Twitter

https://twitter.com/nofilmschool

YouTube

https://www.youtube.com/user/nofilmschool

Instagram

https://www.instagram.com/nofilmschool

Send us an email with questions or feedback: podcast@nofilmschool.com!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

802 episoder

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