The Drama and the Dogma

The Catholic Thing

I recently saw a request on social media for people to say why they were Christians in five words or less. I was tempted to paraphrase Chesterton's reason for his Catholicism and use three words: "It is true." Then I remembered novelist and Catholic convert Walker Percy, when asked why he had converted to Catholicism, responded: "What else is there?"
Is there any greater mission statement, which every parish seems to require, or a better blueprint for evangelization? There is, of course, only one real mission statement, the "Great Commission" of Christ in St. Matthew's Gospel. When you view the alternatives offered to twenty-first-century man - the green religion, sexual revolution, nihilism, or a return to Communism, indeed any false hope in a political solution to man's needs - "What else is there?" stands up well as expressing the truth of the Catholic faith.
The "what else is there" of Catholicism implies a passionate belief, not only in the dogma but, as Dorothy L. Sayers would have it, in the "drama." At the heart of the drama is the liturgy, the Divine Mysteries. Without the dogma, there is no drama. So robust orthodoxy, as Chesterton described it, is the fuel that lights the fire.
Without getting into polemics, after sixty years since the opening of the Council, we should honestly examine the effect secularization has had on both the drama and the dogma.
Benedict XVI, in one of his writings, referred to the words of the writer Eugène Ionesco, one of the founders of the Theatre of the Absurd. Writing in 1975, Ionesco described the secularization he experienced in the Church as "truly pitiful." He added that while the "world is losing its way, the Church is losing herself in the world." Words from nearly fifty years ago that sound remarkably contemporary.
Benedict XVI proposed a solution, answering Ionesco: the contemporary Church needs the "courage to embrace what is sacred," and not, what he called, "banal officiousness."
The response from much of the Church to the Coronavirus pandemic revealed much "banal officiousness." It exposed what had been lurking below the surface for some time, in the sacred and secular worlds.
In the secular world, the ever-encroaching State expanded its control with draconian laws over every aspect of life in what many had naively believed were liberal democracies. Sadly, in the Church. there is also much that seems mundane and superficial. Ionesco described the world then, as now, as "in flux," "nothing is left to us; nothing is solid," but what we need is a rock."
When the world is in flux, when nothing is solid, the Church must be the rock, presenting the dogma and drama of Catholicism to those seeking the truth.
On another occasion, Walker Percy remarked that the Western world was "so corrupt and boring" that, eventually, young people "will get sick of it and look for something else." The true peripheries in modern secular society are to be found among those seeking the good, the true, and the beautiful. It is unhelpful to offer gruel when strong meat is called for, as it is to deny there is a problem.
In Edward Pentin's book, The Next Pope, Cardinal Willem Eijk is quoted (are we allowed to say "I like Eijk"). The Cardinal compares the work of the bishop today as rather like a meteorologist: "a bishop has many duties, but pretending good weather is coming is not part of it." He continues, "a real storm front is coming."
Yet he goes on to say that we should not encourage a passive retreat into obscurity, or an admission that the mission is defeated. Rather, the very opposite must happen; the Church must once again be proposed in all its truth and beauty.
A storm front may indeed be coming, certainly for much of western Europe, and increasingly in the United States. But the Cardinal's word of prophecy, if faced realistically and with discernment and apostolic zeal, provides the Church with a perfect moment to convince the world there really is an answer to the question, "What else is th...