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Opposing Apartheid on Stage: A Conversation With Historian Tyler Fleming

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Manage episode 354074798 series 2893824
Innehåll tillhandahållet av Bamba Ndiaye, PhD and Bamba Ndiaye. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Bamba Ndiaye, PhD and Bamba Ndiaye eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In this episode, Associate Professor of History, Tyler Fleming (University of Louisville) discusses his book Opposing Apartheid on Stage: King Kong the Musical (University of Rochester Press 2020).

"In 1959, King Kong, an interracial jazz opera, swept across South Africa and became a countrywide phenomenon. Its performances sold out, its LP record was widely heard, and its cast became recognized celebrities. Featuring an African composer, cast, and orchestra but predominantly white directors and producers, this interracial production seemed completely distinct from any other theatrical production in the country's history. Despite being staged over a decade after the enacting of apartheid, the interracial collaboration met widespread acclaim that bridged South Africa's racial, political, ethnic, and class fissures."

https://boydellandbrewer.com/9781580469852/opposing-apartheid-on-stage/

  continue reading

35 episoder

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iconDela
 
Manage episode 354074798 series 2893824
Innehåll tillhandahållet av Bamba Ndiaye, PhD and Bamba Ndiaye. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Bamba Ndiaye, PhD and Bamba Ndiaye eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

In this episode, Associate Professor of History, Tyler Fleming (University of Louisville) discusses his book Opposing Apartheid on Stage: King Kong the Musical (University of Rochester Press 2020).

"In 1959, King Kong, an interracial jazz opera, swept across South Africa and became a countrywide phenomenon. Its performances sold out, its LP record was widely heard, and its cast became recognized celebrities. Featuring an African composer, cast, and orchestra but predominantly white directors and producers, this interracial production seemed completely distinct from any other theatrical production in the country's history. Despite being staged over a decade after the enacting of apartheid, the interracial collaboration met widespread acclaim that bridged South Africa's racial, political, ethnic, and class fissures."

https://boydellandbrewer.com/9781580469852/opposing-apartheid-on-stage/

  continue reading

35 episoder

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