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Innehåll tillhandahållet av Paul Duncan and Scott B. Bomar, Scott B. Bomar, and Paul Duncan. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Paul Duncan and Scott B. Bomar, Scott B. Bomar, and Paul Duncan eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Ep. 234 - MADELEINE PEYROUX ("Don't Wait Too Long")

1:12:30
 
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Manage episode 427913732 series 1228576
Innehåll tillhandahållet av Paul Duncan and Scott B. Bomar, Scott B. Bomar, and Paul Duncan. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Paul Duncan and Scott B. Bomar, Scott B. Bomar, and Paul Duncan eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Acclaimed genre-crossing songwriter and interpreter Madeleine Peyroux takes stock of her songwriting over the years and shares insights into the creation of her latest album.
PART ONE
Paul and Scott talk music books, the value of recording, and whether or not performers should stick to a strict or loose interpretation of a song when performing live.
PART TWO
Our in-depth conversation with Madeleine Peyroux
ABOUT MADELEINE PEYROUX
Madeleine Peyroux moved to Paris with her mother at the age of 12 and began singing with street musicians while still a teenager. She eventually joined the Lost Wandering Blues and Jazz Band, with whom she toured Europe. After being discovered by Atlantic Records she released her debut album, Dreamland, in 1996. Madeleine's commercial breakthrough came with the Gold-selling album Careless Love in 2004 and it’s single, the self-penned “Don’t Wait Too Long,” which was released by Rounder Records and topped the jazz charts. The follow-up album, Half the Perfect World, hit the Top 40 on Billboard’s US album chart. Her 2009 album, Bare Bones, was the first to feature all original material. She moved to Decca Records for the Standing on the Rooftop album in 2011 and has since released four additional studio albums. Her latest effort, Let’s Walk, features all original material and continues to showcase her masterful blending of jazz, blues, folk, pop, and more.

  continue reading

259 episoder

Artwork
iconDela
 
Manage episode 427913732 series 1228576
Innehåll tillhandahållet av Paul Duncan and Scott B. Bomar, Scott B. Bomar, and Paul Duncan. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Paul Duncan and Scott B. Bomar, Scott B. Bomar, and Paul Duncan eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Acclaimed genre-crossing songwriter and interpreter Madeleine Peyroux takes stock of her songwriting over the years and shares insights into the creation of her latest album.
PART ONE
Paul and Scott talk music books, the value of recording, and whether or not performers should stick to a strict or loose interpretation of a song when performing live.
PART TWO
Our in-depth conversation with Madeleine Peyroux
ABOUT MADELEINE PEYROUX
Madeleine Peyroux moved to Paris with her mother at the age of 12 and began singing with street musicians while still a teenager. She eventually joined the Lost Wandering Blues and Jazz Band, with whom she toured Europe. After being discovered by Atlantic Records she released her debut album, Dreamland, in 1996. Madeleine's commercial breakthrough came with the Gold-selling album Careless Love in 2004 and it’s single, the self-penned “Don’t Wait Too Long,” which was released by Rounder Records and topped the jazz charts. The follow-up album, Half the Perfect World, hit the Top 40 on Billboard’s US album chart. Her 2009 album, Bare Bones, was the first to feature all original material. She moved to Decca Records for the Standing on the Rooftop album in 2011 and has since released four additional studio albums. Her latest effort, Let’s Walk, features all original material and continues to showcase her masterful blending of jazz, blues, folk, pop, and more.

  continue reading

259 episoder

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