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Innehåll tillhandahållet av Elisabeth Le Guin. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Elisabeth Le Guin eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Graciela Hinojosa Holguín & Jorge Holguín (Part 2, English)

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Manage episode 293591968 series 2890883
Innehåll tillhandahållet av Elisabeth Le Guin. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Elisabeth Le Guin eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

A dancer and a musician, this couple has been a part of the history of Mexican traditional musics in the LA area for more than half a century! We interview them in a double episode.

SUMMARY OF RESEARCH SOURCES

The great majority of sources about twentieth-century Mexican music in Los Angeles are in English. In order not to present two very different-sized bibliographies, we have combined them here into a single document.

Mariachi & Son jarocho in LA & at UCLA

Alexandro Hernández, “The Son Jarocho and Fandango Amidst Struggle and Social Movements:Migratory Transformation and Reinterpretation of the Son Jarocho in La Nueva España, México, and the United States. “ PhD Dissertation, UCLA. 2014

Loza, Steven. Barrio Rhythm: Mexican American Music in Los Angeles. Vol. 517. University of Illinois Press, 1993.

----------------- "From Veracruz to Los Angeles: The Reinterpretation of the" Son Jarocho"." Latin American Music Review/Revista de Música Latinoamericana 13.2 (1992): 179-194.

Maureen Russell, “Highlights from the Ethnomusicology Archive: Music of Mexico Ensemble.” Nov. 2012 https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble

----------------------“Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964” -- Ethnomusicology Review

https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964

Salazar, Lauryn Camille. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., UCLA, 2011.

https://www.proquest.com/docview/919079833?accountid=14512

El Ballet Folklórico

“Emilio Pulido Interview, 1999) -- USC Digital Library

http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1

“A History of Mexican Folklórico in Southern California” -- The Dance History Project of Southern California

http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/

“Grupo Folklorico de UCLA” -- gfdeUCLA.com

https://www.gfdeucla.com

“The Role of Folklorico and Danzantes Unidos in the Chican@ Movement” -- Eve Marie Delfin

https://escholarship.org/uc/item/6mw0n3x9

El Mestizaje

A great deal has been written (and debated) around this theme; even a representative bibliography is not within the scope of this document. We offer here just a couple of classic sources, in which the idea of Mexican national identity as a “mixture” was developed.

José Vasconcelos. La Raza Cósmica. Misión de la raza iberoamericana. Notas de viajes a la América del Sur. (1925) Madrid, Spain : Aguilar, 1966.

Bilingual edition:

Cosmic race: a bilingual edition. Translated and annotated by Didier T. Jaén

Baltimore, Maryland : Johns Hopkins University Press, 1997

Octavio Paz. t

El laberinto de la soledad. (1950) ed. por Anthony Stanton. Manchester University Press/ Palgrave, 2008.

English translation:

The labyrinth of solitude: life and thought in Mexico, by Octavio Paz. Translated by Lysander Kemp. New York : Grove Press, 1961.

  continue reading

56 episoder

Artwork
iconDela
 
Manage episode 293591968 series 2890883
Innehåll tillhandahållet av Elisabeth Le Guin. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Elisabeth Le Guin eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

A dancer and a musician, this couple has been a part of the history of Mexican traditional musics in the LA area for more than half a century! We interview them in a double episode.

SUMMARY OF RESEARCH SOURCES

The great majority of sources about twentieth-century Mexican music in Los Angeles are in English. In order not to present two very different-sized bibliographies, we have combined them here into a single document.

Mariachi & Son jarocho in LA & at UCLA

Alexandro Hernández, “The Son Jarocho and Fandango Amidst Struggle and Social Movements:Migratory Transformation and Reinterpretation of the Son Jarocho in La Nueva España, México, and the United States. “ PhD Dissertation, UCLA. 2014

Loza, Steven. Barrio Rhythm: Mexican American Music in Los Angeles. Vol. 517. University of Illinois Press, 1993.

----------------- "From Veracruz to Los Angeles: The Reinterpretation of the" Son Jarocho"." Latin American Music Review/Revista de Música Latinoamericana 13.2 (1992): 179-194.

Maureen Russell, “Highlights from the Ethnomusicology Archive: Music of Mexico Ensemble.” Nov. 2012 https://ethnomusicologyreview.ucla.edu/content/highlights-ethnomusicology-archive-music-mexico-ensemble

----------------------“Special Guest: Dr. Robert Saxe and the Music of Mexico Ensemble, 1964” -- Ethnomusicology Review

https://ethnomusicologyreview.ucla.edu/content/special-guest-dr-robert-saxe-and-music-mexico-ensemble-1964

Salazar, Lauryn Camille. "From Fiesta to Festival: Mariachi Music in California and the Southwestern United States." PhD diss., UCLA, 2011.

https://www.proquest.com/docview/919079833?accountid=14512

El Ballet Folklórico

“Emilio Pulido Interview, 1999) -- USC Digital Library

http://digitallibrary.usc.edu/digital/collection/p15799coll105/id/1589/rec/1

“A History of Mexican Folklórico in Southern California” -- The Dance History Project of Southern California

http://www.dancehistoryproject.org/articles/culture-and-context/world-arts-culture-context/a-history-of-mexican-folorico-in-southern-california/

“Grupo Folklorico de UCLA” -- gfdeUCLA.com

https://www.gfdeucla.com

“The Role of Folklorico and Danzantes Unidos in the Chican@ Movement” -- Eve Marie Delfin

https://escholarship.org/uc/item/6mw0n3x9

El Mestizaje

A great deal has been written (and debated) around this theme; even a representative bibliography is not within the scope of this document. We offer here just a couple of classic sources, in which the idea of Mexican national identity as a “mixture” was developed.

José Vasconcelos. La Raza Cósmica. Misión de la raza iberoamericana. Notas de viajes a la América del Sur. (1925) Madrid, Spain : Aguilar, 1966.

Bilingual edition:

Cosmic race: a bilingual edition. Translated and annotated by Didier T. Jaén

Baltimore, Maryland : Johns Hopkins University Press, 1997

Octavio Paz. t

El laberinto de la soledad. (1950) ed. por Anthony Stanton. Manchester University Press/ Palgrave, 2008.

English translation:

The labyrinth of solitude: life and thought in Mexico, by Octavio Paz. Translated by Lysander Kemp. New York : Grove Press, 1961.

  continue reading

56 episoder

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