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InnehÄll tillhandahÄllet av Power of Place - Stories of the Pacific Northwest and Edward Krigsman. Allt poddinnehÄll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahÄlls direkt av Power of Place - Stories of the Pacific Northwest and Edward Krigsman eller deras podcastplattformspartner. Om du tror att nÄgon anvÀnder ditt upphovsrÀttsskyddade verk utan din tillÄtelse kan du följa processen som beskrivs hÀr https://sv.player.fm/legal.
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đ§ Power of Place Episode #42 | Louder Than Art â Art Chantry
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Manage episode 377102549 series 2430477
InnehÄll tillhandahÄllet av Power of Place - Stories of the Pacific Northwest and Edward Krigsman. Allt poddinnehÄll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahÄlls direkt av Power of Place - Stories of the Pacific Northwest and Edward Krigsman eller deras podcastplattformspartner. Om du tror att nÄgon anvÀnder ditt upphovsrÀttsskyddade verk utan din tillÄtelse kan du följa processen som beskrivs hÀr https://sv.player.fm/legal.
Join us in this episode (the first of a two-part series) for a conversation with graphic designer Art Chantry, a national treasure, whose posters are collected by The Smithsonian and The Louvre. Opening with childhood memories of Parkland on the fringes of Tacoma, Washington, Art describes a restless educational path that eventually brought him to Bellingham. He shares experiences of his subsequent arrival to Seattle in the 1980âs, including street observations that shaped his aesthetics. He tells of art directing the music biweekly magazine The Rocket on a shoestring budget before launching a one-man graphic design firm, churning out hundreds of posters, logos and album covers for rock bands including Soundgarden and Mudhoney associated with Sub Pop, Estrus and other home-grown record labels. Artâs stories reveal the genesis of a vital visual lexiconâsubversive, populist and modernâthat simultaneously reflected and transformed the Pacific Northwest: From a backwater for âlosers,â to the forefront of global popular culture in the 1990âs and beyond. "Itâs black and white. It's scrappy. Thereâs not a straight line on the whole goddamn thing. It looks like it was cut and pasted together out of chunks of Xerox junk. It is just an atrocious mess. And itâs beautifulâŠ. Itâs so aliveâYou still look at it and it makes your heart jump!â ~ Art Chantry
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54 episoder
MP3•Episod hem
Manage episode 377102549 series 2430477
InnehÄll tillhandahÄllet av Power of Place - Stories of the Pacific Northwest and Edward Krigsman. Allt poddinnehÄll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahÄlls direkt av Power of Place - Stories of the Pacific Northwest and Edward Krigsman eller deras podcastplattformspartner. Om du tror att nÄgon anvÀnder ditt upphovsrÀttsskyddade verk utan din tillÄtelse kan du följa processen som beskrivs hÀr https://sv.player.fm/legal.
Join us in this episode (the first of a two-part series) for a conversation with graphic designer Art Chantry, a national treasure, whose posters are collected by The Smithsonian and The Louvre. Opening with childhood memories of Parkland on the fringes of Tacoma, Washington, Art describes a restless educational path that eventually brought him to Bellingham. He shares experiences of his subsequent arrival to Seattle in the 1980âs, including street observations that shaped his aesthetics. He tells of art directing the music biweekly magazine The Rocket on a shoestring budget before launching a one-man graphic design firm, churning out hundreds of posters, logos and album covers for rock bands including Soundgarden and Mudhoney associated with Sub Pop, Estrus and other home-grown record labels. Artâs stories reveal the genesis of a vital visual lexiconâsubversive, populist and modernâthat simultaneously reflected and transformed the Pacific Northwest: From a backwater for âlosers,â to the forefront of global popular culture in the 1990âs and beyond. "Itâs black and white. It's scrappy. Thereâs not a straight line on the whole goddamn thing. It looks like it was cut and pasted together out of chunks of Xerox junk. It is just an atrocious mess. And itâs beautifulâŠ. Itâs so aliveâYou still look at it and it makes your heart jump!â ~ Art Chantry
…
continue reading
54 episoder
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