Artwork

Innehåll tillhandahållet av Podium Time. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Podium Time eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Player FM - Podcast-app
Gå offline med appen Player FM !

PT84: “Music is not a Competitive Sport,” with Rain Worthington

1:22:16
 
Dela
 

Manage episode 269354629 series 2290057
Innehåll tillhandahållet av Podium Time. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Podium Time eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Today we talk with composer Rain Worthington about how she started composing and without a background in theory, why a rigid analytical view of music can block creativity, and why we must not think of music as a competition.
Today we discuss:

  • How New York’s Minimalist composers and the artistic culture of the city allowed Rain to experiment as a novice (13:11)
  • How Rain and Luke found freedom by releasing themselves from the confines of western musical standards. (22:09)
  • How composers and conductors fall in love with a fragment of music. (29.54)
  • Being a self-taught composer, and how thinking too much about the theory of music can block creativity in composition and performance. (34:21)
  • What makes a composer, a musician, a piece, or a performance unique when we have only 12 notes and almost everything has been done already. (40:06)
  • The emotional content of music, taking the listener on a journey, and how programs that are too specific can separate the listener from the music. (44:53)
  • Building a career by building relationships, understanding that art is not a competition, and realizing that every success for one is a success for everybody. (54:29)
  • The pieces that best reflect Rain as a composer, her compositional efforts to process the tragedy of 9/11, and how we can respond to any tragedy as artists. (1:06:45)

Links from this episode:

Find this and all other episodes at PodiumTimePod.com. Subscribe and download Podium Time on your favorite podcast player and connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod. You can also join our Facebook Group, the Podium Time Inner Circle to ask questions and continue the conversation after every episode. If you’d like to support the podcast monetarily and get bonus content, consider joining our Patreon community at Patreon.com/PodiumTimePod. If you’re in the market for a new baton, use our promo code “PodiumTime” at Pagubatons.com for 20% off your first order.

Support the show

  continue reading

139 episoder

Artwork
iconDela
 
Manage episode 269354629 series 2290057
Innehåll tillhandahållet av Podium Time. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Podium Time eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Today we talk with composer Rain Worthington about how she started composing and without a background in theory, why a rigid analytical view of music can block creativity, and why we must not think of music as a competition.
Today we discuss:

  • How New York’s Minimalist composers and the artistic culture of the city allowed Rain to experiment as a novice (13:11)
  • How Rain and Luke found freedom by releasing themselves from the confines of western musical standards. (22:09)
  • How composers and conductors fall in love with a fragment of music. (29.54)
  • Being a self-taught composer, and how thinking too much about the theory of music can block creativity in composition and performance. (34:21)
  • What makes a composer, a musician, a piece, or a performance unique when we have only 12 notes and almost everything has been done already. (40:06)
  • The emotional content of music, taking the listener on a journey, and how programs that are too specific can separate the listener from the music. (44:53)
  • Building a career by building relationships, understanding that art is not a competition, and realizing that every success for one is a success for everybody. (54:29)
  • The pieces that best reflect Rain as a composer, her compositional efforts to process the tragedy of 9/11, and how we can respond to any tragedy as artists. (1:06:45)

Links from this episode:

Find this and all other episodes at PodiumTimePod.com. Subscribe and download Podium Time on your favorite podcast player and connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod. You can also join our Facebook Group, the Podium Time Inner Circle to ask questions and continue the conversation after every episode. If you’d like to support the podcast monetarily and get bonus content, consider joining our Patreon community at Patreon.com/PodiumTimePod. If you’re in the market for a new baton, use our promo code “PodiumTime” at Pagubatons.com for 20% off your first order.

Support the show

  continue reading

139 episoder

Alla avsnitt

×
 
Loading …

Välkommen till Player FM

Player FM scannar webben för högkvalitativa podcasts för dig att njuta av nu direkt. Den är den bästa podcast-appen och den fungerar med Android, Iphone och webben. Bli medlem för att synka prenumerationer mellan enheter.

 

Snabbguide

Lyssna på det här programmet medan du utforskar
Spela