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Innehåll tillhandahållet av Mark R. Hasan. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Mark R. Hasan eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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KQEK.com --- Interview with film composer Fabio Frizzi (2015)

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Manage episode 154637074 series 1129253
Innehåll tillhandahållet av Mark R. Hasan. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Mark R. Hasan eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Interview with Italian film composer Fabio Frizzi, conducted prior to his follow-up concert Frizzi 2 Fulci at London’s famous Barbican in the fall of 2014.

In addition to discussing the thrill of performing his music live in London, Frizzi discusses his early film work – Oscar Brazzi’s “sexy” film Giro girotondo... con il sesso è bello il mondo (1975) and Lucio Fulci’s Il cav. Costante Nicosia demoniaco, ovvero: Dracula in Brianza (1975) – plus working with Fulci on Zombi (1979), The Beyond (1981), and scoring severe eye trauma.

Frizzi also talks about the restoration of his Contraband (1980) score, which makes its premiere release via Beat Records, who’ve also released a 2-CD set of Frizzi’s 2013 London concert.

Please note: this interview was edited just prior to Frizzi's announcenent in mid-July of Frizzi 2 Fulci's North American tour, including a performance at The Opera House in Toronto on Thursday October 8th.

A two-part podcast interview with Frizzi regarding his 2013 concert at London's Union Chapel is also available (Part One + Part Two).

Read the Editor's Blog at KQEK.com for related reviews.

If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.

Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and incisive Editor's Blogs by Mark R. Hasan.

All podcast editing, mixing, and audio restoration produced in-house. For inquiries and demo reels, please visit Mondomark.com.

  continue reading

69 episoder

Artwork
iconDela
 
Manage episode 154637074 series 1129253
Innehåll tillhandahållet av Mark R. Hasan. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Mark R. Hasan eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Interview with Italian film composer Fabio Frizzi, conducted prior to his follow-up concert Frizzi 2 Fulci at London’s famous Barbican in the fall of 2014.

In addition to discussing the thrill of performing his music live in London, Frizzi discusses his early film work – Oscar Brazzi’s “sexy” film Giro girotondo... con il sesso è bello il mondo (1975) and Lucio Fulci’s Il cav. Costante Nicosia demoniaco, ovvero: Dracula in Brianza (1975) – plus working with Fulci on Zombi (1979), The Beyond (1981), and scoring severe eye trauma.

Frizzi also talks about the restoration of his Contraband (1980) score, which makes its premiere release via Beat Records, who’ve also released a 2-CD set of Frizzi’s 2013 London concert.

Please note: this interview was edited just prior to Frizzi's announcenent in mid-July of Frizzi 2 Fulci's North American tour, including a performance at The Opera House in Toronto on Thursday October 8th.

A two-part podcast interview with Frizzi regarding his 2013 concert at London's Union Chapel is also available (Part One + Part Two).

Read the Editor's Blog at KQEK.com for related reviews.

If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.

Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and incisive Editor's Blogs by Mark R. Hasan.

All podcast editing, mixing, and audio restoration produced in-house. For inquiries and demo reels, please visit Mondomark.com.

  continue reading

69 episoder

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