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Innehåll tillhandahållet av Michael Grosvenor & Jack Firneno, Michael Grosvenor, and Jack Firneno. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Michael Grosvenor & Jack Firneno, Michael Grosvenor, and Jack Firneno eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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EP 122 - Year In Review: 1974

1:07:27
 
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Manage episode 444168231 series 3266238
Innehåll tillhandahållet av Michael Grosvenor & Jack Firneno, Michael Grosvenor, and Jack Firneno. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Michael Grosvenor & Jack Firneno, Michael Grosvenor, and Jack Firneno eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Depending on the time of year, 1974 is either a period of uncertainty in Billy Joel’s career, or the first signposts of the superstardom to come.

He begins the year touring behind the Piano Man record, which ultimately falls off the charts. Record label execs then hurry Billy into the studio to record what he regards as its lackluster follow-up Streetlife Serenade.

But by the end of 1974, Billy’s setting up for the success he’ll soon enjoy. Most notably, Doug Stegmeyer joins the band on the Streetlife Serenade tour. The bassist will go on to play with Billy for the next thirteen years. And, he’ll bring in many of the core members for Billy’s band in time for them to record and tour behind his next album, Turnstiles.

Press clippings from this year feature some of the first mentions of ideas and themes that will blossom over the next few decades. Reviewers note his penchant for energetic live shows and theatrical songwriting. In interviews, Billy also discusses his aspirations toward classical composers.

It all adds up to a year that may seem low-key at first glance, but a closer look reveals the pieces falling into place for his upcoming reign at the top of the charts.

Join us as we dig deep into Billy Joel in 1974.

  • Post-episode note - Michael mentions October 1, 1974 as the release date of Streetlife Serenade. It looks like he accidentally left off a '1' form his notes. The correct release date of Streetlife Serenade is October 11, 1974.

------

Email us: glasshousespodcast@gmail.com

Glass Houses - A Billy Joel Podcast on the web / social media:

Support the podcast:

Produced by Michael Grosvenor & Jack Firneno for Glass Houses Media, LLC

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

125 episoder

Artwork
iconDela
 
Manage episode 444168231 series 3266238
Innehåll tillhandahållet av Michael Grosvenor & Jack Firneno, Michael Grosvenor, and Jack Firneno. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Michael Grosvenor & Jack Firneno, Michael Grosvenor, and Jack Firneno eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Depending on the time of year, 1974 is either a period of uncertainty in Billy Joel’s career, or the first signposts of the superstardom to come.

He begins the year touring behind the Piano Man record, which ultimately falls off the charts. Record label execs then hurry Billy into the studio to record what he regards as its lackluster follow-up Streetlife Serenade.

But by the end of 1974, Billy’s setting up for the success he’ll soon enjoy. Most notably, Doug Stegmeyer joins the band on the Streetlife Serenade tour. The bassist will go on to play with Billy for the next thirteen years. And, he’ll bring in many of the core members for Billy’s band in time for them to record and tour behind his next album, Turnstiles.

Press clippings from this year feature some of the first mentions of ideas and themes that will blossom over the next few decades. Reviewers note his penchant for energetic live shows and theatrical songwriting. In interviews, Billy also discusses his aspirations toward classical composers.

It all adds up to a year that may seem low-key at first glance, but a closer look reveals the pieces falling into place for his upcoming reign at the top of the charts.

Join us as we dig deep into Billy Joel in 1974.

  • Post-episode note - Michael mentions October 1, 1974 as the release date of Streetlife Serenade. It looks like he accidentally left off a '1' form his notes. The correct release date of Streetlife Serenade is October 11, 1974.

------

Email us: glasshousespodcast@gmail.com

Glass Houses - A Billy Joel Podcast on the web / social media:

Support the podcast:

Produced by Michael Grosvenor & Jack Firneno for Glass Houses Media, LLC

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

125 episoder

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