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Innehåll tillhandahållet av Film at Lincoln Center Podcast and Film at Lincoln Center. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Film at Lincoln Center Podcast and Film at Lincoln Center eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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#569 - Paul Schrader on Oh, Canada

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Manage episode 454050566 series 115436
Innehåll tillhandahållet av Film at Lincoln Center Podcast and Film at Lincoln Center. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Film at Lincoln Center Podcast and Film at Lincoln Center eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
This week we’re excited to present a conversation from the 62nd New York Film Festival with Oh, Canada director Paul Schrader. Oh, Canada is currently in select theaters, courtesy of Kino Lorber. In an unvarnished, commanding performance, Richard Gere plays Leonard Fife, a celebrated political documentarian who has reached the end of his life. Wracked with cancer, Leonard has agreed to appear in a film by a former protégé (Michael Imperioli) in the hopes of setting the record straight about himself. Cinema becomes a confessional space as Leonard, accompanied by his stalwart wife and former student, Emma (Uma Thurman), excavates his own past, facing down regrets and guilt, and interrogating his own career, personal life, and political courage. Constructed with nonlinear flashbacks featuring Jacob Elordi as a young Leonard, the film passes in and out of different time periods, back to the 1960s, matching the slippery consciousness of its storyteller. Adapted from the book Foregone by Russell Banks, Paul Schrader’s emotionally naked drama feels like a direct address to the viewer, a filmmaker’s reckoning with his formidable status and persona. This conversation was moderated by FLC Senior Director of Programming Florence Almozini.
  continue reading

586 episoder

Artwork
iconDela
 
Manage episode 454050566 series 115436
Innehåll tillhandahållet av Film at Lincoln Center Podcast and Film at Lincoln Center. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Film at Lincoln Center Podcast and Film at Lincoln Center eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
This week we’re excited to present a conversation from the 62nd New York Film Festival with Oh, Canada director Paul Schrader. Oh, Canada is currently in select theaters, courtesy of Kino Lorber. In an unvarnished, commanding performance, Richard Gere plays Leonard Fife, a celebrated political documentarian who has reached the end of his life. Wracked with cancer, Leonard has agreed to appear in a film by a former protégé (Michael Imperioli) in the hopes of setting the record straight about himself. Cinema becomes a confessional space as Leonard, accompanied by his stalwart wife and former student, Emma (Uma Thurman), excavates his own past, facing down regrets and guilt, and interrogating his own career, personal life, and political courage. Constructed with nonlinear flashbacks featuring Jacob Elordi as a young Leonard, the film passes in and out of different time periods, back to the 1960s, matching the slippery consciousness of its storyteller. Adapted from the book Foregone by Russell Banks, Paul Schrader’s emotionally naked drama feels like a direct address to the viewer, a filmmaker’s reckoning with his formidable status and persona. This conversation was moderated by FLC Senior Director of Programming Florence Almozini.
  continue reading

586 episoder

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