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Innehåll tillhandahållet av Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Eavesdropping at the Movies, Jose Arroyo, and Michael Glass eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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421 - All of Us Strangers

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Manage episode 400587583 series 1952570
Innehåll tillhandahållet av Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Eavesdropping at the Movies, Jose Arroyo, and Michael Glass eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Writer-director Andrew Haigh's romantic fantasy, All of Us Strangers, flows beautifully from scene to scene, inviting the audience to question the reality of what they're shown but seldom requiring them to - it's about the feeling it creates. It's a film about isolation, building and rebuilding connections, how the past reverberates, and in particular, experiences of growing up gay in the homophobic society of the 1980s. Its themes are universal and easily understood, but people who share those experiences will identify with it more closely than most. We discuss the complexity and natural feeling of the protagonist's conversations with his parents, who carry with them, alongside love for their son, those homophobic attitudes; the way scenes flow into each other; how letting go of those questions of what and how things are real allows us to get the most out of the film; and we ask those questions anyway. We also take the opportunity to revisit the ending of The Zone of Interest, discuss audiences proudly displaying their dislikes, and have another think about The Holdovers with that in mind. Recorded on 6th February 2024.
  continue reading

436 episoder

Artwork
iconDela
 
Manage episode 400587583 series 1952570
Innehåll tillhandahållet av Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Eavesdropping at the Movies, Jose Arroyo, and Michael Glass eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Writer-director Andrew Haigh's romantic fantasy, All of Us Strangers, flows beautifully from scene to scene, inviting the audience to question the reality of what they're shown but seldom requiring them to - it's about the feeling it creates. It's a film about isolation, building and rebuilding connections, how the past reverberates, and in particular, experiences of growing up gay in the homophobic society of the 1980s. Its themes are universal and easily understood, but people who share those experiences will identify with it more closely than most. We discuss the complexity and natural feeling of the protagonist's conversations with his parents, who carry with them, alongside love for their son, those homophobic attitudes; the way scenes flow into each other; how letting go of those questions of what and how things are real allows us to get the most out of the film; and we ask those questions anyway. We also take the opportunity to revisit the ending of The Zone of Interest, discuss audiences proudly displaying their dislikes, and have another think about The Holdovers with that in mind. Recorded on 6th February 2024.
  continue reading

436 episoder

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