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Innehåll tillhandahållet av Gary Upton. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Gary Upton eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Timber Tones and the Art of Bass Making Mastery

15:19
 
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Manage episode 408796980 series 3311016
Innehåll tillhandahållet av Gary Upton. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Gary Upton eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Dive deep into the resonant world of bass-making with us, where the choice of wood isn't just a detail—it's the soul of the instrument. You'll come away with a newfound appreciation for the meticulous craft that shapes the dark, rich tones of an orchestral bass and the bright, punchy sound of a soloist's pride. We'll walk you through the impact of grain orientation, the debate of flat versus round backs, and why a medium-grained spruce top could be the secret to a responsive bass. Ever wonder how softwoods like Italian poplar can change the game? We've got that covered, too.
Then, lace up for a journey through history with our exploration of the delicate craftsmanship that hails from the traditions of Italian, English, German and Czechoslovakian luthiers. As we traverse the nuances of wood carving and bracing, you'll learn how each choice—whether it's bright maple, soft poplar, or willow—affects not only the bass's sound but also its aesthetic and structural integrity. This episode isn't just about the hows but also the whys behind matching each musician with their perfect bass, transcending budget constraints and elevating performance. Join us for a symphony of insights that could very well fine-tune your understanding of what goes into creating a bass that sings with character and quality.

  continue reading

Kapitel

1. Wood Selection for Bass Sound (00:00:00)

2. Choosing the Right Bass Materials (00:07:51)

25 episoder

Artwork
iconDela
 
Manage episode 408796980 series 3311016
Innehåll tillhandahållet av Gary Upton. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Gary Upton eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Dive deep into the resonant world of bass-making with us, where the choice of wood isn't just a detail—it's the soul of the instrument. You'll come away with a newfound appreciation for the meticulous craft that shapes the dark, rich tones of an orchestral bass and the bright, punchy sound of a soloist's pride. We'll walk you through the impact of grain orientation, the debate of flat versus round backs, and why a medium-grained spruce top could be the secret to a responsive bass. Ever wonder how softwoods like Italian poplar can change the game? We've got that covered, too.
Then, lace up for a journey through history with our exploration of the delicate craftsmanship that hails from the traditions of Italian, English, German and Czechoslovakian luthiers. As we traverse the nuances of wood carving and bracing, you'll learn how each choice—whether it's bright maple, soft poplar, or willow—affects not only the bass's sound but also its aesthetic and structural integrity. This episode isn't just about the hows but also the whys behind matching each musician with their perfect bass, transcending budget constraints and elevating performance. Join us for a symphony of insights that could very well fine-tune your understanding of what goes into creating a bass that sings with character and quality.

  continue reading

Kapitel

1. Wood Selection for Bass Sound (00:00:00)

2. Choosing the Right Bass Materials (00:07:51)

25 episoder

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