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Benjamin Moser on the Dutch Masters, Brazil, and Cultural Icons
Manage episode 418374887 series 3563503
Innehåll tillhandahållet av Conversations with Tyler and Mercatus Center at George Mason University. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Conversations with Tyler and Mercatus Center at George Mason University eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Benjamin Moser is a Pulitzer Prize-winning writer celebrated for his in-depth studies of literary and cultural figures such as Susan Sontag and Clarice Lispector. His latest book, which details a twenty-year love affair with the Dutch masters, is one of Tyler's favorite books on art criticism ever.
Benjamin joined Tyler to discuss why Vermeer was almost forgotten, how Rembrandt was so productive, what auctions of the old masters reveals about current approaches to painting, why Dutch art hangs best in houses, what makes the Kunstmuseum in the Hague so special, why Dutch students won't read older books, Benjamin's favorite Dutch movie, the tensions within Dutch social tolerance, the joys of living in Utrecht, why Latin Americans make for harder interview subjects, whether Brasilia works as a city, why modernism persisted in Brazil, how to appreciate Clarice Lispector, Susan Sontag's (waning) influence, V.S. Naipaul’s mentorship, Houston's intellectual culture, what he's learning next, and more.
Read a full transcript enhanced with helpful links, or watch the full video.
Recorded February 15th, 2024.
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Photo Credit: Philippe Quaisse
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