Artwork

Innehåll tillhandahållet av WQXR Radio. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av WQXR Radio eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Player FM - Podcast-app
Gå offline med appen Player FM !

Why Don’t More Classical Musicians Improvise?

18:34
 
Dela
 

Manage episode 151376126 series 1026455
Innehåll tillhandahållet av WQXR Radio. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av WQXR Radio eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Improvisation is a nearly obsolete art in classical music these days. But virtuosos used to improvise all the time. Mozart freely improvised on his own tunes, Liszt would strike up an aria from a Wagner opera and embellish it. Even legendary piano showmen of the 20th century made it part of their performance practice early in their careers – people like Vladimir Horowitz, Arthur Rubinstein and Leopold Godowsky.

In this week's episode, Clive Brown, a professor of applied musicology at University of Leeds in England, explains why it's fallen by the wayside. He believes that modern recordings, music competitions and regimented conservatory instruction have all contributed to suppressing this practice. "One of the factors that makes classical music seem stuffy and less interesting to young people is this rigidity with which we play it now," said Brown. "More or less every performance is tied to the notation."

Gabriela Montero, pianist
(Colin Bell)

There are a few performers who have taken up the improvisation mantle, including pianist Gabriela Montero. In both recitals and as concerto encores, she spins out elaborate original creations based on a given theme; sometimes she even asks audience members to sing melodies on which she elaborates. But she notes that despite public interest, this has become a double-edged sword, with some music executives mistakenly labeling her a crossover artist.

"There are so few of us that do it on the concert platform that you become an oddity," Montero said. "The way the business is set up, people pigeonhole you and they have to find a label for you. So if you improvise, you're too creative or too free to be a classical concert pianist, which is absolute nonsense."

Montero maintains that artists must resist "the pressures of careers or the imaginary limitations that people impose on themselves."

Listen to the full segment at the top of this page and share your thoughts below: Do you think classical musicians should be freer with their interpretations and improvise?

  continue reading

100 episoder

Artwork
iconDela
 
Manage episode 151376126 series 1026455
Innehåll tillhandahållet av WQXR Radio. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av WQXR Radio eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Improvisation is a nearly obsolete art in classical music these days. But virtuosos used to improvise all the time. Mozart freely improvised on his own tunes, Liszt would strike up an aria from a Wagner opera and embellish it. Even legendary piano showmen of the 20th century made it part of their performance practice early in their careers – people like Vladimir Horowitz, Arthur Rubinstein and Leopold Godowsky.

In this week's episode, Clive Brown, a professor of applied musicology at University of Leeds in England, explains why it's fallen by the wayside. He believes that modern recordings, music competitions and regimented conservatory instruction have all contributed to suppressing this practice. "One of the factors that makes classical music seem stuffy and less interesting to young people is this rigidity with which we play it now," said Brown. "More or less every performance is tied to the notation."

Gabriela Montero, pianist
(Colin Bell)

There are a few performers who have taken up the improvisation mantle, including pianist Gabriela Montero. In both recitals and as concerto encores, she spins out elaborate original creations based on a given theme; sometimes she even asks audience members to sing melodies on which she elaborates. But she notes that despite public interest, this has become a double-edged sword, with some music executives mistakenly labeling her a crossover artist.

"There are so few of us that do it on the concert platform that you become an oddity," Montero said. "The way the business is set up, people pigeonhole you and they have to find a label for you. So if you improvise, you're too creative or too free to be a classical concert pianist, which is absolute nonsense."

Montero maintains that artists must resist "the pressures of careers or the imaginary limitations that people impose on themselves."

Listen to the full segment at the top of this page and share your thoughts below: Do you think classical musicians should be freer with their interpretations and improvise?

  continue reading

100 episoder

Alla avsnitt

×
 
Loading …

Välkommen till Player FM

Player FM scannar webben för högkvalitativa podcasts för dig att njuta av nu direkt. Den är den bästa podcast-appen och den fungerar med Android, Iphone och webben. Bli medlem för att synka prenumerationer mellan enheter.

 

Snabbguide