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Innehåll tillhandahållet av CLOT Magazine. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av CLOT Magazine eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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C.A.N.V.A.S presents 33

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Manage episode 349977345 series 1335262
Innehåll tillhandahållet av CLOT Magazine. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av CLOT Magazine eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
The next mixtape sees new output 33, aka Billy Bultheel and Alexander Iezzi, putting together a mix of music and musicians that surround them and create their daily musical landscape. Through their collaborative project 33, Billy Bultheel and Alexander Iezzi further consolidate a partnership which has taken many forms within a visual, artistic spectrum. Their practice envelops performance art, music and installation whilst pinpointing, developing and elaborating the most meaningful and poignant marriages of the disciplines. Their differing backgrounds have informed how their long collaboration works – Bultheel with his conservatory training and Iezzi coming from DIY punk and experimental music scenes. Their debut album 33-69 (C.A.N.V.A.S., 2022), aments and commemorates the interruption of the simplicities, beauties and charm of mortal life in full Baroque splendour, whilst also partaking in the final opportunities for carnal pleasure and orgiastic excesses in the earthly realm. 33-69 was conceived during the first Covid-19 lockdowns and documents the duo’s experiences of pandemic life in Berlin. Recreating that dopamine shot and collaborating towards a sense of community that the pandemic had suddenly folded away. The record is a short but powerful rush of emotional states and bodily desires, translated into cerebral and carnal electronic compositions of EDM, noise and techno Bultheel and Iezzi carry with them a wealth of composition and performance experience and skill, boasting impressive trajectories which cross each other frequently. This complex and intricate working relationship culminates in the creation of 33-69 as a defiant debut — a dense and finely crafted work that finds unlikely pathways to navigate Baroque, Lieder and exuberant club through humour, dread and exaltation. As we’ve advanced, the mix they have prepared for us is a compilation of music and musicians that surround them and create their daily musical landscape. Part peers, friends and acquaintances, part inspiration, history and admiration. The mix includes music by Judy Garland, Liza Minelli, Bohren club of Gore, Heith, Lugh, Johannes Ciconia, PC Worship, Rihanna, CEM, Bach and more.
  continue reading

86 episoder

Artwork
iconDela
 
Manage episode 349977345 series 1335262
Innehåll tillhandahållet av CLOT Magazine. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av CLOT Magazine eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
The next mixtape sees new output 33, aka Billy Bultheel and Alexander Iezzi, putting together a mix of music and musicians that surround them and create their daily musical landscape. Through their collaborative project 33, Billy Bultheel and Alexander Iezzi further consolidate a partnership which has taken many forms within a visual, artistic spectrum. Their practice envelops performance art, music and installation whilst pinpointing, developing and elaborating the most meaningful and poignant marriages of the disciplines. Their differing backgrounds have informed how their long collaboration works – Bultheel with his conservatory training and Iezzi coming from DIY punk and experimental music scenes. Their debut album 33-69 (C.A.N.V.A.S., 2022), aments and commemorates the interruption of the simplicities, beauties and charm of mortal life in full Baroque splendour, whilst also partaking in the final opportunities for carnal pleasure and orgiastic excesses in the earthly realm. 33-69 was conceived during the first Covid-19 lockdowns and documents the duo’s experiences of pandemic life in Berlin. Recreating that dopamine shot and collaborating towards a sense of community that the pandemic had suddenly folded away. The record is a short but powerful rush of emotional states and bodily desires, translated into cerebral and carnal electronic compositions of EDM, noise and techno Bultheel and Iezzi carry with them a wealth of composition and performance experience and skill, boasting impressive trajectories which cross each other frequently. This complex and intricate working relationship culminates in the creation of 33-69 as a defiant debut — a dense and finely crafted work that finds unlikely pathways to navigate Baroque, Lieder and exuberant club through humour, dread and exaltation. As we’ve advanced, the mix they have prepared for us is a compilation of music and musicians that surround them and create their daily musical landscape. Part peers, friends and acquaintances, part inspiration, history and admiration. The mix includes music by Judy Garland, Liza Minelli, Bohren club of Gore, Heith, Lugh, Johannes Ciconia, PC Worship, Rihanna, CEM, Bach and more.
  continue reading

86 episoder

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