In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 62: The Mitchells vs the Machines & Terminator 2: Judgement Day
MP3•Episod hem
Manage episode 293702134 series 1202802
Innehåll tillhandahållet av Cinema in Context. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Cinema in Context eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Robot uprising films. Sarah Watt, Jeremy Downing and William Chen discuss The Mitchells vs the Machines (2021) and Terminator 2: Judgement Day (1991), two films detailing the robot apocalypse and dysfunctional families finding their way in the skirmish. We begin by talking about The Mitchells vs the Machines, comparing it to Phil Lord and Chris Miller's other works, notably Cloudy with a Chance of Meatballs and Spider-Man: Into the Spider-verse. We applaud the visual style of the film, but critique how all the pieces fit together. We further compare the film to WALL-E, Once Upon a Time... in Hollywood, specifically how animation is used in conjunction with real-world elements - further comparing styles to The Mandalorian, The Congress, Rogue One: A Star Wars Story, The Imaginarium of Doctor Parnassus, Da 5 Bloods and The Irishman. We then move into a discussion of Terminator 2: Judgement Day, specifically how the special and practical effects hold up. We talk about the film in connection to Jurassic Park, Shocker, Aliens, Titanic and Breaking Bad. Our conversation then moves into how the story is established and paid off throughout the film, connecting to the Greek prophetess Sibyl, 12 Monkeys, The Matrix, A Glitch in the Matrix, I, Robot, Lego Movie 2: The Second Part and Avatar.
…
continue reading
114 episoder
MP3•Episod hem
Manage episode 293702134 series 1202802
Innehåll tillhandahållet av Cinema in Context. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Cinema in Context eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Robot uprising films. Sarah Watt, Jeremy Downing and William Chen discuss The Mitchells vs the Machines (2021) and Terminator 2: Judgement Day (1991), two films detailing the robot apocalypse and dysfunctional families finding their way in the skirmish. We begin by talking about The Mitchells vs the Machines, comparing it to Phil Lord and Chris Miller's other works, notably Cloudy with a Chance of Meatballs and Spider-Man: Into the Spider-verse. We applaud the visual style of the film, but critique how all the pieces fit together. We further compare the film to WALL-E, Once Upon a Time... in Hollywood, specifically how animation is used in conjunction with real-world elements - further comparing styles to The Mandalorian, The Congress, Rogue One: A Star Wars Story, The Imaginarium of Doctor Parnassus, Da 5 Bloods and The Irishman. We then move into a discussion of Terminator 2: Judgement Day, specifically how the special and practical effects hold up. We talk about the film in connection to Jurassic Park, Shocker, Aliens, Titanic and Breaking Bad. Our conversation then moves into how the story is established and paid off throughout the film, connecting to the Greek prophetess Sibyl, 12 Monkeys, The Matrix, A Glitch in the Matrix, I, Robot, Lego Movie 2: The Second Part and Avatar.
…
continue reading
114 episoder
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