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Innehåll tillhandahållet av Huw Lemmey & Ben Miller, Huw Lemmey, and Ben Miller. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Huw Lemmey & Ben Miller, Huw Lemmey, and Ben Miller eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Christopher Marlowe (with Will Tosh)

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Manage episode 425514413 series 2496404
Innehåll tillhandahållet av Huw Lemmey & Ben Miller, Huw Lemmey, and Ben Miller. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Huw Lemmey & Ben Miller, Huw Lemmey, and Ben Miller eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Today's special guest is Will Tosh, Head of Research at Shakespeare's Globe, London, and the author of a new book, “Straight Acting: The Many Queer Lives of William Shakespeare.” Having answered the obvious question in the prologue, the book becomes a sort of emotional biography of Shakespeare’s private life, but uses that his life and his work to ask broader questions about Elizabethan England, and especially how they understood their own sex gender system at the time. On today's special episode, we talk about one of his contemporaries, someone probably less well known but who has been deeply influential for queer writers and theatre practitioners through the ages: Christopher Marlowe.

----more----

SOURCES:

Lukas Erne, 'Biography, Mythography, and Criticism: The Life and Works of Christopher Marlowe', Modern Philology 103.1 (2005), 28-50
Constance Brown Kuriyama, Christopher Marlowe: A Renaissance Life (Ithaca: Cornell University Press, 2002)
Stephen Orgel, 'Tobacco and Boys: How Queer Was Marlowe?', GLQ: A Journal of Lesbian and Gay Studies 6.4 (2000), 555-576
Christopher Shirley, ‘Sodomy and Stage Directions in Christopher Marlowe’s Edward(s) II’, Studies in English Literature 54.2 (2014), 279–296
Sydnee Wagner, 'New Directions: Towards a Racialized Tamburlaine', in David McInnes (ed.), Tamburlaine: A Critical Reader (London: Bloomsbury, 2020)

Our intro is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner

  continue reading

91 episoder

Artwork

Christopher Marlowe (with Will Tosh)

Bad Gays

522 subscribers

published

iconDela
 
Manage episode 425514413 series 2496404
Innehåll tillhandahållet av Huw Lemmey & Ben Miller, Huw Lemmey, and Ben Miller. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Huw Lemmey & Ben Miller, Huw Lemmey, and Ben Miller eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Today's special guest is Will Tosh, Head of Research at Shakespeare's Globe, London, and the author of a new book, “Straight Acting: The Many Queer Lives of William Shakespeare.” Having answered the obvious question in the prologue, the book becomes a sort of emotional biography of Shakespeare’s private life, but uses that his life and his work to ask broader questions about Elizabethan England, and especially how they understood their own sex gender system at the time. On today's special episode, we talk about one of his contemporaries, someone probably less well known but who has been deeply influential for queer writers and theatre practitioners through the ages: Christopher Marlowe.

----more----

SOURCES:

Lukas Erne, 'Biography, Mythography, and Criticism: The Life and Works of Christopher Marlowe', Modern Philology 103.1 (2005), 28-50
Constance Brown Kuriyama, Christopher Marlowe: A Renaissance Life (Ithaca: Cornell University Press, 2002)
Stephen Orgel, 'Tobacco and Boys: How Queer Was Marlowe?', GLQ: A Journal of Lesbian and Gay Studies 6.4 (2000), 555-576
Christopher Shirley, ‘Sodomy and Stage Directions in Christopher Marlowe’s Edward(s) II’, Studies in English Literature 54.2 (2014), 279–296
Sydnee Wagner, 'New Directions: Towards a Racialized Tamburlaine', in David McInnes (ed.), Tamburlaine: A Critical Reader (London: Bloomsbury, 2020)

Our intro is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner

  continue reading

91 episoder

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