Everyone has a dream. But sometimes there’s a gap between where we are and where we want to be. True, there are some people who can bridge that gap easily, on their own, but all of us need a little help at some point. A little boost. An accountability partner. A Snooze Squad. In each episode, the Snooze Squad will strategize an action plan for people to face their fears. Guests will transform their own perception of their potential and walk away a few inches closer to who they want to become ...
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Innehåll tillhandahållet av Art Gallery of Ontario. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Art Gallery of Ontario eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Untitled
MP3•Episod hem
Manage episode 382719232 series 1395868
Innehåll tillhandahållet av Art Gallery of Ontario. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Art Gallery of Ontario eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Untitled 1985 Acrylic and oil on canvas Courtesy of The Parker Foundation All images © Keith Haring Foundation Haring grew up and came out as a gay man during a time that encouraged increased freedom of sexual expression, largely fuelled by the counterculture, women’s rights, and gay liberation movements of the 1960s and 1970s. By the early 1980s, a new countermovement emerged that was led by conservative politicians and the religious right. Simultaneously, the AIDS epidemic was growing. Painted in 1985, this untitled work responds to these realities, showing a fiery hellscape of sexual aggression and torture. The theme of hell—often depicted with scenes of uninhibited sexuality—has been addressed throughout art history, from Auguste Rodin’s The Gates of Hell (1880–1917) to Hieronymus Bosch’s The Garden of Earthly Delights (1500s). Haring’s version remains true to his signature line, while also depicting a cast of human and animal figures as well as Christian symbols such as frogs, serpents, and angels.
…
continue reading
433 episoder
MP3•Episod hem
Manage episode 382719232 series 1395868
Innehåll tillhandahållet av Art Gallery of Ontario. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Art Gallery of Ontario eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Untitled 1985 Acrylic and oil on canvas Courtesy of The Parker Foundation All images © Keith Haring Foundation Haring grew up and came out as a gay man during a time that encouraged increased freedom of sexual expression, largely fuelled by the counterculture, women’s rights, and gay liberation movements of the 1960s and 1970s. By the early 1980s, a new countermovement emerged that was led by conservative politicians and the religious right. Simultaneously, the AIDS epidemic was growing. Painted in 1985, this untitled work responds to these realities, showing a fiery hellscape of sexual aggression and torture. The theme of hell—often depicted with scenes of uninhibited sexuality—has been addressed throughout art history, from Auguste Rodin’s The Gates of Hell (1880–1917) to Hieronymus Bosch’s The Garden of Earthly Delights (1500s). Haring’s version remains true to his signature line, while also depicting a cast of human and animal figures as well as Christian symbols such as frogs, serpents, and angels.
…
continue reading
433 episoder
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