Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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THE MAESTRO SERIES: An interview with Dana Marsh
MP3•Episod hem
Manage episode 214869655 series 1217544
Innehåll tillhandahållet av Patrick D McCoy. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Patrick D McCoy eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
After an extensive round of auditions and interviews for the revered post as artistic director of The Washington Bach Consort, Dana Marsh was named the new director, succeeding the late Dr. J. Reilly Lewis, who founded the consort in 1977. Lewis died unexpectedly in June 2016. His remarkable artistry will long be remembered, treasured and felt. Art journalist Patrick D. McCoy chats with Dr. Dana Marsh about his new post, the upcoming season with The Washington Bach Consort, finding academic balance with his post at Indiana University and his vision for the consort. As director of the Historical Performance Institute and chair of the Early Music Department at the Indiana University Jacobs School of Music, Dana Marsh has directed a broad range of ensemble performances and NPR broadcasts at Jacobs since 2014. He coaches aspiring vocalists in historical performance and teaches early notation and performance practice. As an academic, Marsh was invited to be a panelist at the Smithsonian Institution’s conference “Historically Informed Performance in Higher Education” in 2015. In May 2016, he founded the annual international conference “Historical Performance: Theory, Practice and Interdisciplinarity,” which has attracted scholars and performers from a dozen countries. He recently founded the annual, peer-reviewed journal, “Historical Performance” (IU Press), which contributes significant research to the field.
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81 episoder
MP3•Episod hem
Manage episode 214869655 series 1217544
Innehåll tillhandahållet av Patrick D McCoy. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Patrick D McCoy eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
After an extensive round of auditions and interviews for the revered post as artistic director of The Washington Bach Consort, Dana Marsh was named the new director, succeeding the late Dr. J. Reilly Lewis, who founded the consort in 1977. Lewis died unexpectedly in June 2016. His remarkable artistry will long be remembered, treasured and felt. Art journalist Patrick D. McCoy chats with Dr. Dana Marsh about his new post, the upcoming season with The Washington Bach Consort, finding academic balance with his post at Indiana University and his vision for the consort. As director of the Historical Performance Institute and chair of the Early Music Department at the Indiana University Jacobs School of Music, Dana Marsh has directed a broad range of ensemble performances and NPR broadcasts at Jacobs since 2014. He coaches aspiring vocalists in historical performance and teaches early notation and performance practice. As an academic, Marsh was invited to be a panelist at the Smithsonian Institution’s conference “Historically Informed Performance in Higher Education” in 2015. In May 2016, he founded the annual international conference “Historical Performance: Theory, Practice and Interdisciplinarity,” which has attracted scholars and performers from a dozen countries. He recently founded the annual, peer-reviewed journal, “Historical Performance” (IU Press), which contributes significant research to the field.
…
continue reading
81 episoder
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