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Lucy Weir, "Performance, Masculinity, and Self-Injury" (Routledge, 2024)

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Innehåll tillhandahållet av New Books Network. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av New Books Network eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Can self-harm be art? In Performance, Masculinity, and Self-Injury (Routledge, 2024), Lucy Weir, a Reader in History of Art at the University of Edinburgh rethinks the recent history of performance to understand the ‘injurious turn’ in contemporary live art. The book challenges the usual associations between self-harm and gender by exploring the work of a diverse range of artists.

Taking Viennese Actionism as its starting point, the book then offers detailed case studies of, amongst others, André Stitt, Ron Athey, Wafaa Bilal and Pyotr Pavlensky. Each artist is considered in relation to their context, as well as how their work relates to the more general question of how masculinity itself relates to extreme performance in challenging and censorious settings. As well as being theoretically and empirically rich, the book offers an engaging route into art theory and art history for non-specialists. It will be of interest widely in humanities, medicine and the social sciences.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

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2178 episoder

Artwork
iconDela
 
Manage episode 441026908 series 2421429
Innehåll tillhandahållet av New Books Network. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av New Books Network eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

Can self-harm be art? In Performance, Masculinity, and Self-Injury (Routledge, 2024), Lucy Weir, a Reader in History of Art at the University of Edinburgh rethinks the recent history of performance to understand the ‘injurious turn’ in contemporary live art. The book challenges the usual associations between self-harm and gender by exploring the work of a diverse range of artists.

Taking Viennese Actionism as its starting point, the book then offers detailed case studies of, amongst others, André Stitt, Ron Athey, Wafaa Bilal and Pyotr Pavlensky. Each artist is considered in relation to their context, as well as how their work relates to the more general question of how masculinity itself relates to extreme performance in challenging and censorious settings. As well as being theoretically and empirically rich, the book offers an engaging route into art theory and art history for non-specialists. It will be of interest widely in humanities, medicine and the social sciences.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

  continue reading

2178 episoder

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