Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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SlothBoogie Guestmix #441 - Sean McCabe
MP3•Episod hem
Manage episode 440711115 series 1522210
Innehåll tillhandahållet av SlothBoogie. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av SlothBoogie eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Tracklist on https://slothboogie.com/ Bristol-based producer Sean McCabe has amassed an impressive discography, delivering inspired releases and reworks for the likes of Local Talk, Z Records, Strictly Rhythm, Room Control, Tribe, Quantize and his own label Good Vibrations Music. Releasing his first tracks in 2003, he has fine-tuned a trademark sound that is effortlessly soulful and definitely house. A quick listen to any of his productions or DJ sets will confirm this emotion-rich aesthetic. Constantly learning and evolving, taking his sound in different directions, McCabe admits to a love of vintage synthesizers – picked up from listening to classic New York boogie and ‘80s soul. "I always like to play a mix of styles in a set to keep it interesting and represent the different styles that I like. I selected about 50 tracks that I felt like playing, to give me options, some recently released and some forthcoming. I made up the structure as I went along based on how I felt in the moment. It starts with a blend of soulful songs and funky/jazzy grooves, then delves into deeper driving tracks to build some anticipation, like a crescendo of some sort, then relieve the tension with music that has a resolving feel to it and end with some broken beat and jazzy ear candy. I think this is typical of how I try to programme my mixes. Like a very long chord progression or song structure; set mood, build tension, resolve, home, then repeat. I also like to make sure I don't play too many vocals or dubs/instrumentals in a row. So I try to keep it varied in that respect too." - https://soundcloud.com/seanmccabe
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590 episoder
MP3•Episod hem
Manage episode 440711115 series 1522210
Innehåll tillhandahållet av SlothBoogie. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av SlothBoogie eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Tracklist on https://slothboogie.com/ Bristol-based producer Sean McCabe has amassed an impressive discography, delivering inspired releases and reworks for the likes of Local Talk, Z Records, Strictly Rhythm, Room Control, Tribe, Quantize and his own label Good Vibrations Music. Releasing his first tracks in 2003, he has fine-tuned a trademark sound that is effortlessly soulful and definitely house. A quick listen to any of his productions or DJ sets will confirm this emotion-rich aesthetic. Constantly learning and evolving, taking his sound in different directions, McCabe admits to a love of vintage synthesizers – picked up from listening to classic New York boogie and ‘80s soul. "I always like to play a mix of styles in a set to keep it interesting and represent the different styles that I like. I selected about 50 tracks that I felt like playing, to give me options, some recently released and some forthcoming. I made up the structure as I went along based on how I felt in the moment. It starts with a blend of soulful songs and funky/jazzy grooves, then delves into deeper driving tracks to build some anticipation, like a crescendo of some sort, then relieve the tension with music that has a resolving feel to it and end with some broken beat and jazzy ear candy. I think this is typical of how I try to programme my mixes. Like a very long chord progression or song structure; set mood, build tension, resolve, home, then repeat. I also like to make sure I don't play too many vocals or dubs/instrumentals in a row. So I try to keep it varied in that respect too." - https://soundcloud.com/seanmccabe
…
continue reading
590 episoder
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