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Innehåll tillhandahållet av Clint Worthington. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Clint Worthington eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Anthony Willis (Saltburn)

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Manage episode 397760289 series 2916171
Innehåll tillhandahållet av Clint Worthington. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Clint Worthington eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
This week, we're catching up with one of the Oscar-shortlisted Best Score nominees -- Anthony Willis' score to Emerald Fennell's lavish, mysterious thriller Saltburn. Fennell's second directorial feature, after Promising Young Woman, is a kind of Brideshead Revisited by way of Tom Ripley and mid-2000s party culture: A mysterious young bloke named Oliver Quick (Barry Keoghan) follows his irrepressible attraction to fellow Oxford pretty-boy Felix (Jacob Elordi) all the way to Felix's palatial mansion, Saltburn. There, he immerses himself in the hedonistic lifestyles of the ultra-rich, all the while hoping to catch a glimmer of Felix's attention -- or does he? Reuniting with Fennell for his second score with her, composer Anthony Willis crafts a suitably Gothic sound for her idiosyncratic class thriller. Opening with romantic strings, transitioning into classical choir, then electric pianos and additional layers and textures, Willis draws the listener in like one of Oliver's obsessions, before disrupting the film's jagged classicism with rough modern electronic textures and a sense of sweeping orchestral doom. Today, we talk to Willis about all of that and more, including his longtime collaboration with Fennell and his early life as a chorister at Windsor Castle. You can find Anthony Willis at his official website. Saltburn is currently available for rental or streaming on Prime Video. You can also listen to the score on your preferred music streaming service courtesy of Milan Records.
  continue reading

100 episoder

Artwork
iconDela
 
Manage episode 397760289 series 2916171
Innehåll tillhandahållet av Clint Worthington. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Clint Worthington eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
This week, we're catching up with one of the Oscar-shortlisted Best Score nominees -- Anthony Willis' score to Emerald Fennell's lavish, mysterious thriller Saltburn. Fennell's second directorial feature, after Promising Young Woman, is a kind of Brideshead Revisited by way of Tom Ripley and mid-2000s party culture: A mysterious young bloke named Oliver Quick (Barry Keoghan) follows his irrepressible attraction to fellow Oxford pretty-boy Felix (Jacob Elordi) all the way to Felix's palatial mansion, Saltburn. There, he immerses himself in the hedonistic lifestyles of the ultra-rich, all the while hoping to catch a glimmer of Felix's attention -- or does he? Reuniting with Fennell for his second score with her, composer Anthony Willis crafts a suitably Gothic sound for her idiosyncratic class thriller. Opening with romantic strings, transitioning into classical choir, then electric pianos and additional layers and textures, Willis draws the listener in like one of Oliver's obsessions, before disrupting the film's jagged classicism with rough modern electronic textures and a sense of sweeping orchestral doom. Today, we talk to Willis about all of that and more, including his longtime collaboration with Fennell and his early life as a chorister at Windsor Castle. You can find Anthony Willis at his official website. Saltburn is currently available for rental or streaming on Prime Video. You can also listen to the score on your preferred music streaming service courtesy of Milan Records.
  continue reading

100 episoder

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