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Innehåll tillhandahållet av Daniel Coffeen. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Daniel Coffeen eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Witnessing Others, or Soft Eyes
MP3•Episod hem
Manage episode 262401681 series 2453928
Innehåll tillhandahållet av Daniel Coffeen. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Daniel Coffeen eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Seeing is not neutral or natural: it is taught. As John Berger argued in his incredible, Ways of Seeing, men have a tendency to gaze at women, at life, with a certain will to penetrate, dominate, and such — the so-called 'male gaze.'
To see is to be undone, necessarily. Seeing takes place in the middle voice. Ask yourself: is seeing active or passive? Do you see that tree? Is that tree having its way with you? The phallic gaze is an attempt to wrest control from the world, a transparently absurd gesture.
The painter, psychoanalyst, and theorist, Bracha Ettinger, posits a different gaze, what she called the matrixial gaze, coming from the womb: a pre-subjective mode of holding the other as constitutive of oneself.
I refer to to this as 'soft eyes' which I borrow from The Wire: to see generously, without judgement. I also reference Merleau-Ponty's The Intertwining.
…
continue reading
To see is to be undone, necessarily. Seeing takes place in the middle voice. Ask yourself: is seeing active or passive? Do you see that tree? Is that tree having its way with you? The phallic gaze is an attempt to wrest control from the world, a transparently absurd gesture.
The painter, psychoanalyst, and theorist, Bracha Ettinger, posits a different gaze, what she called the matrixial gaze, coming from the womb: a pre-subjective mode of holding the other as constitutive of oneself.
I refer to to this as 'soft eyes' which I borrow from The Wire: to see generously, without judgement. I also reference Merleau-Ponty's The Intertwining.
31 episoder
MP3•Episod hem
Manage episode 262401681 series 2453928
Innehåll tillhandahållet av Daniel Coffeen. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Daniel Coffeen eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Seeing is not neutral or natural: it is taught. As John Berger argued in his incredible, Ways of Seeing, men have a tendency to gaze at women, at life, with a certain will to penetrate, dominate, and such — the so-called 'male gaze.'
To see is to be undone, necessarily. Seeing takes place in the middle voice. Ask yourself: is seeing active or passive? Do you see that tree? Is that tree having its way with you? The phallic gaze is an attempt to wrest control from the world, a transparently absurd gesture.
The painter, psychoanalyst, and theorist, Bracha Ettinger, posits a different gaze, what she called the matrixial gaze, coming from the womb: a pre-subjective mode of holding the other as constitutive of oneself.
I refer to to this as 'soft eyes' which I borrow from The Wire: to see generously, without judgement. I also reference Merleau-Ponty's The Intertwining.
…
continue reading
To see is to be undone, necessarily. Seeing takes place in the middle voice. Ask yourself: is seeing active or passive? Do you see that tree? Is that tree having its way with you? The phallic gaze is an attempt to wrest control from the world, a transparently absurd gesture.
The painter, psychoanalyst, and theorist, Bracha Ettinger, posits a different gaze, what she called the matrixial gaze, coming from the womb: a pre-subjective mode of holding the other as constitutive of oneself.
I refer to to this as 'soft eyes' which I borrow from The Wire: to see generously, without judgement. I also reference Merleau-Ponty's The Intertwining.
31 episoder
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