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Yair Elazar Glotman

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Manage episode 383371143 series 2827045
Innehåll tillhandahållet av Nicholas Marcus. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Nicholas Marcus eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

I've been familiar with Yair Elazar Glotman ever since I heard his score for Last and First Men, which he co-composed with the great Jóhann Jóhannsson. As such, it's great to finally have him on the show! Yair and I primarily talk about his score for the new Netflix crime thriller Reptile, for which Yair has composed a fairly dense, abstract, and textural score. The score - and the film overall - has homages to older noir films, helping solidify this film as a sort of neo-noir, but it's also aware of itself and these influences, giving them nods while also attempting something new and distinct. Along the way, we hit a number of other points, like Yair's constant quest for inspiration and knowledge (whether it be studying different playing or recording techniques, new composers, or esoteric music concepts), how scores and solo albums influence one another, and more.

Reptile is currently available on Netflix while Yair's score, and much of his other music, is available on all major platforms. Meanwhile, you can find out more about Yair on his website.

  continue reading

116 episoder

Artwork

Yair Elazar Glotman

The Film Scorer

0-10 subscribers

published

iconDela
 
Manage episode 383371143 series 2827045
Innehåll tillhandahållet av Nicholas Marcus. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Nicholas Marcus eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.

I've been familiar with Yair Elazar Glotman ever since I heard his score for Last and First Men, which he co-composed with the great Jóhann Jóhannsson. As such, it's great to finally have him on the show! Yair and I primarily talk about his score for the new Netflix crime thriller Reptile, for which Yair has composed a fairly dense, abstract, and textural score. The score - and the film overall - has homages to older noir films, helping solidify this film as a sort of neo-noir, but it's also aware of itself and these influences, giving them nods while also attempting something new and distinct. Along the way, we hit a number of other points, like Yair's constant quest for inspiration and knowledge (whether it be studying different playing or recording techniques, new composers, or esoteric music concepts), how scores and solo albums influence one another, and more.

Reptile is currently available on Netflix while Yair's score, and much of his other music, is available on all major platforms. Meanwhile, you can find out more about Yair on his website.

  continue reading

116 episoder

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