In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Innehåll tillhandahållet av The B-Side: A Film Stage Podcast and The Film Stage. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av The B-Side: A Film Stage Podcast and The Film Stage eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Ep. 130 – Daniel Day-Lewis (feat. Fiona Underhill)
MP3•Episod hem
Manage episode 390211926 series 3404685
Innehåll tillhandahållet av The B-Side: A Film Stage Podcast and The Film Stage. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av The B-Side: A Film Stage Podcast and The Film Stage eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in between. We discuss everyone's favorite method man: Daniel Day-Lewis. Our B-Sides are 1988’s Stars and Bars, Eversmile, New Jersey (1989), Jim Sheridan's The Boxer, and Rebecca Miller's The Ballad of Jack and Rose. Returning guest Fiona Underhill joins us to discuss the myth-making around the actor, his process, as well as a few hot takes on whether some of his most lauded credits are properly rated. Naturally, we also discuss his peak ‘90s hotness (it’s a tie between, Mohicans and The Crucible, by the way), and his influence, for better or worse, on a younger generation of actors. The scope of our B-Sides unlock a few lesser-seen tools in Day-Lewis’ belt, from the farcical to the oddball. These are modes he doesn’t necessarily seem comfortable in as a younger star, but that serve as practice for when he deconstructs his own serious image with his career peak in Phantom Thread. We can all be glad he gave us Reynolds Woodcock before retiring. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
…
continue reading
163 episoder
MP3•Episod hem
Manage episode 390211926 series 3404685
Innehåll tillhandahållet av The B-Side: A Film Stage Podcast and The Film Stage. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av The B-Side: A Film Stage Podcast and The Film Stage eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in between. We discuss everyone's favorite method man: Daniel Day-Lewis. Our B-Sides are 1988’s Stars and Bars, Eversmile, New Jersey (1989), Jim Sheridan's The Boxer, and Rebecca Miller's The Ballad of Jack and Rose. Returning guest Fiona Underhill joins us to discuss the myth-making around the actor, his process, as well as a few hot takes on whether some of his most lauded credits are properly rated. Naturally, we also discuss his peak ‘90s hotness (it’s a tie between, Mohicans and The Crucible, by the way), and his influence, for better or worse, on a younger generation of actors. The scope of our B-Sides unlock a few lesser-seen tools in Day-Lewis’ belt, from the farcical to the oddball. These are modes he doesn’t necessarily seem comfortable in as a younger star, but that serve as practice for when he deconstructs his own serious image with his career peak in Phantom Thread. We can all be glad he gave us Reynolds Woodcock before retiring. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
…
continue reading
163 episoder
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