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Innehåll tillhandahållet av Film.Music.Media. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Film.Music.Media eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
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Gregory Tripi (Composer: Warning)
Manage episode 306285239 series 2361111
Innehåll tillhandahållet av Film.Music.Media. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Film.Music.Media eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Composer Gregory Tripi takes some time to sit down for a fantastic All Access interview that explores his path to becoming a composer, working with composers like W. G. Snuffy Walden and Cliff Martinez, and taking us behind some of his most notable scores including his recent score to Warning.
Gregory explains his general approach to scoring, and what he loves about the collaborative process of filmmaking. We also chat about his two recent library music albums for Warner Chappell Music, and how the creative process differs when writing library music versus music direct to picture. We also discuss creating synth palettes and how Gregory envisions the sounds in his head no matter what instrument he's using.
A Film.Music.Media Interview | Produced & Presented by Kaya Savas
374 episoder
Dela
Manage episode 306285239 series 2361111
Innehåll tillhandahållet av Film.Music.Media. Allt poddinnehåll inklusive avsnitt, grafik och podcastbeskrivningar laddas upp och tillhandahålls direkt av Film.Music.Media eller deras podcastplattformspartner. Om du tror att någon använder ditt upphovsrättsskyddade verk utan din tillåtelse kan du följa processen som beskrivs här https://sv.player.fm/legal.
Composer Gregory Tripi takes some time to sit down for a fantastic All Access interview that explores his path to becoming a composer, working with composers like W. G. Snuffy Walden and Cliff Martinez, and taking us behind some of his most notable scores including his recent score to Warning.
Gregory explains his general approach to scoring, and what he loves about the collaborative process of filmmaking. We also chat about his two recent library music albums for Warner Chappell Music, and how the creative process differs when writing library music versus music direct to picture. We also discuss creating synth palettes and how Gregory envisions the sounds in his head no matter what instrument he's using.
A Film.Music.Media Interview | Produced & Presented by Kaya Savas
374 episoder
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We believe that everyone who runs should have a great soundtrack. Not one curated by an algorithm, but one that’s hand-picked by a DJ who runs too. The Runcast with John Richards brings you a dynamic mix of music and inspiration to keep you company and motivate you on your run, no matter what your level.
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continue reading
This blues podcast brings the best of blues music to ya, old and new, signed and unsigned! Get a refill on your favorite drink, grab a seat, and get ready to get some blues in the blood!
…
continue reading
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
…
continue reading
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continue reading
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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